This book contends that many practitioners of underground rap have absorbed religious traditions and ideas, and implement, critique, or abandon them in their writings.
This book contends that many practitioners of underground rap have absorbed religious traditions and ideas, and implement, critique, or abandon them in their writings.
Jon Ivan Gill is currently Visiting Assistant Professor of Philosophy at Gustavus Adolphus College, USA, Associate Philosophy Faculty at Norco College, USA, and Cross-Community Coordinator at the Center for Process Studies, USA. He has written multiple articles on Afrofuturism, religion, hip-hop, philosophy, philosophy of race, poststructuralism, atheism, and creative writing. He is also co-owner of Serious Cartoons Records and Tapes in San Bernardino, Ca. with Michael Adame, and is a member of the Chicago, Il. rap collective Tomorrow Kings and the La Puente, Ca. rap collective Echoes of Oratory Musik.
Inhaltsangabe
The Storied Introduction: Underground Rapper Meets Whiteheadian Thought 1 Reconstructions of Religious Identities and Racial Ideologies in Process Philosophy and Hip-Hop Culture 2 Underground Hip-Hop as the Flow of Life 3 De/centering Religion, Hip Hop and the Nature of the "Underground" in Western Scholarship: A Historiography 4 Receptions of Theopoetic Aesthetics: Definitional and Historical Groundings 5 Theopoetics of Underground Rap's Creative Impulse 6 Multiverse Theistic Creations through Underground Religious Rap 7 Underground Hip-Hop Culture and the Aesthetic Process of Religion Epilogue
The Storied Introduction: Underground Rapper Meets Whiteheadian Thought 1 Reconstructions of Religious Identities and Racial Ideologies in Process Philosophy and Hip-Hop Culture 2 Underground Hip-Hop as the Flow of Life 3 De/centering Religion, Hip Hop and the Nature of the "Underground" in Western Scholarship: A Historiography 4 Receptions of Theopoetic Aesthetics: Definitional and Historical Groundings 5 Theopoetics of Underground Rap's Creative Impulse 6 Multiverse Theistic Creations through Underground Religious Rap 7 Underground Hip-Hop Culture and the Aesthetic Process of Religion Epilogue
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