Hunter Hargraves examines how postmillennial television made its audiences find pleasure through discomfort, showing that televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives.
Hunter Hargraves examines how postmillennial television made its audiences find pleasure through discomfort, showing that televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives.
Acknowledgments ix Introduction: Television Scripts 1 1. The Irritated Spectator: Affective Representation in (Post)millennial Comedy 27 2. The Addicted Spectator: TV Junkies in Need of an Intervention 57 3. The Aborted Spectator: Affective Economies of Perversion in Televisual Remix 89 4. The Spectator Plagued by White Guilt: On the Appropriative Intermediality of Quality TV 121 5. The Woke Spectator: Misrecognizing Discomfort in the Era of “Peak TV” 162 Notes 197 Bibliography 219 Index 239
Acknowledgments ix Introduction: Television Scripts 1 1. The Irritated Spectator: Affective Representation in (Post)millennial Comedy 27 2. The Addicted Spectator: TV Junkies in Need of an Intervention 57 3. The Aborted Spectator: Affective Economies of Perversion in Televisual Remix 89 4. The Spectator Plagued by White Guilt: On the Appropriative Intermediality of Quality TV 121 5. The Woke Spectator: Misrecognizing Discomfort in the Era of “Peak TV” 162 Notes 197 Bibliography 219 Index 239
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