- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Twice the First takes the reader on an exciting journey through the historical development of animation through the eyes of Quirino Cristiani.
Andere Kunden interessierten sich auch für
- Nicholas LovellThe Pyramid of Game Design178,99 €
- Henry KellyEnvironment Art in the Game Industry157,99 €
- Andrea PejroloAcoustic and MIDI Orchestration for the Contemporary Composer189,99 €
- Richard StevensGame Audio Implementation182,99 €
- Vanessa Theme AmentThe Foley Grail189,99 €
- Brian M JacksonThe Music Producer's Survival Guide241,99 €
- Emma Kaylee GravesCovering Extended Reality Technologies in the Media178,99 €
-
-
-
Twice the First takes the reader on an exciting journey through the historical development of animation through the eyes of Quirino Cristiani.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 171
- Erscheinungstermin: 31. Oktober 2017
- Englisch
- Abmessung: 218mm x 147mm x 15mm
- Gewicht: 363g
- ISBN-13: 9781138554467
- ISBN-10: 1138554464
- Artikelnr.: 50055935
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 171
- Erscheinungstermin: 31. Oktober 2017
- Englisch
- Abmessung: 218mm x 147mm x 15mm
- Gewicht: 363g
- ISBN-13: 9781138554467
- ISBN-10: 1138554464
- Artikelnr.: 50055935
A former professor at the Nanyang Technological University of Singapore and the Università degli Studi of Milan, Italian-born Giannalberto Bendazzi has been thoroughly investigating the history of animation for more than forty years. A founding member of the Society for Animation Studies, he authored or edited various classics in various languages, and has lectured extensively on every continent.
Foreword by John Halas.
Chapter 1 Who and When.
Chapter 2 From Santa Giuletta to Buenos Aires.
Chapter 3 The First Years in Argentina.
Chapter 4 A Meeting With Federico Valle and an Introduction to Animated
Caricatures.
Chapter 5 Taborda, Cristiani and El Apóstol.
Chapter 6 The First Feature Length Animated Film in History.
Chapter 7 The Cristiani Family.
Chapter 8 Sin dejar rastro.
Chapter 9 Early Animation and the Feature Film.
Chapter 10 Frederico Valle.
Chapter 11 Sports, satire and science in short films of the 1920s.
Chapter 12 Cristiani in advertising.
Chapter 13 The most ambitious project of the Estudios Cristiani.
Chapter 14 Peludópolis, the first animated feature length film with sound.
Chapter 15 Cristiani as an entrepreneur.
Chapter 16 Constancio C. Vigil and the story of El mono relojero.
Chapter 17 El mono relojero on the screen.
Chapter 18 The pioneer from Santa Giuletta and the wizard from Burbank.
Chapter 19 Cristiani's Legacy.
Appendix I: Historial Notes.
Appendix II: Cinema, Theater, Radio and Comics.
Appendix III: Spurlos versenkt.
Appendix IV: Andres Ducaud: Following Cristiani's Lead.
Chapter 1 Who and When.
Chapter 2 From Santa Giuletta to Buenos Aires.
Chapter 3 The First Years in Argentina.
Chapter 4 A Meeting With Federico Valle and an Introduction to Animated
Caricatures.
Chapter 5 Taborda, Cristiani and El Apóstol.
Chapter 6 The First Feature Length Animated Film in History.
Chapter 7 The Cristiani Family.
Chapter 8 Sin dejar rastro.
Chapter 9 Early Animation and the Feature Film.
Chapter 10 Frederico Valle.
Chapter 11 Sports, satire and science in short films of the 1920s.
Chapter 12 Cristiani in advertising.
Chapter 13 The most ambitious project of the Estudios Cristiani.
Chapter 14 Peludópolis, the first animated feature length film with sound.
Chapter 15 Cristiani as an entrepreneur.
Chapter 16 Constancio C. Vigil and the story of El mono relojero.
Chapter 17 El mono relojero on the screen.
Chapter 18 The pioneer from Santa Giuletta and the wizard from Burbank.
Chapter 19 Cristiani's Legacy.
Appendix I: Historial Notes.
Appendix II: Cinema, Theater, Radio and Comics.
Appendix III: Spurlos versenkt.
Appendix IV: Andres Ducaud: Following Cristiani's Lead.
Foreword by John Halas.
Chapter 1 Who and When.
Chapter 2 From Santa Giuletta to Buenos Aires.
Chapter 3 The First Years in Argentina.
Chapter 4 A Meeting With Federico Valle and an Introduction to Animated
Caricatures.
Chapter 5 Taborda, Cristiani and El Apóstol.
Chapter 6 The First Feature Length Animated Film in History.
Chapter 7 The Cristiani Family.
Chapter 8 Sin dejar rastro.
Chapter 9 Early Animation and the Feature Film.
Chapter 10 Frederico Valle.
Chapter 11 Sports, satire and science in short films of the 1920s.
Chapter 12 Cristiani in advertising.
Chapter 13 The most ambitious project of the Estudios Cristiani.
Chapter 14 Peludópolis, the first animated feature length film with sound.
Chapter 15 Cristiani as an entrepreneur.
Chapter 16 Constancio C. Vigil and the story of El mono relojero.
Chapter 17 El mono relojero on the screen.
Chapter 18 The pioneer from Santa Giuletta and the wizard from Burbank.
Chapter 19 Cristiani's Legacy.
Appendix I: Historial Notes.
Appendix II: Cinema, Theater, Radio and Comics.
Appendix III: Spurlos versenkt.
Appendix IV: Andres Ducaud: Following Cristiani's Lead.
Chapter 1 Who and When.
Chapter 2 From Santa Giuletta to Buenos Aires.
Chapter 3 The First Years in Argentina.
Chapter 4 A Meeting With Federico Valle and an Introduction to Animated
Caricatures.
Chapter 5 Taborda, Cristiani and El Apóstol.
Chapter 6 The First Feature Length Animated Film in History.
Chapter 7 The Cristiani Family.
Chapter 8 Sin dejar rastro.
Chapter 9 Early Animation and the Feature Film.
Chapter 10 Frederico Valle.
Chapter 11 Sports, satire and science in short films of the 1920s.
Chapter 12 Cristiani in advertising.
Chapter 13 The most ambitious project of the Estudios Cristiani.
Chapter 14 Peludópolis, the first animated feature length film with sound.
Chapter 15 Cristiani as an entrepreneur.
Chapter 16 Constancio C. Vigil and the story of El mono relojero.
Chapter 17 El mono relojero on the screen.
Chapter 18 The pioneer from Santa Giuletta and the wizard from Burbank.
Chapter 19 Cristiani's Legacy.
Appendix I: Historial Notes.
Appendix II: Cinema, Theater, Radio and Comics.
Appendix III: Spurlos versenkt.
Appendix IV: Andres Ducaud: Following Cristiani's Lead.