This book analyzes the history of contemporary or 'new' music in the twentieth-century through the lens of the sociology of modern culture, linking the paradoxical aspects of twentieth-century music to the central processes in modern culture that are analyzed by sociology and social theory.
This book analyzes the history of contemporary or 'new' music in the twentieth-century through the lens of the sociology of modern culture, linking the paradoxical aspects of twentieth-century music to the central processes in modern culture that are analyzed by sociology and social theory.
Eduardo De La Fuente is a Lecturer in Sociology in the School of Social and Policy Studies at Flinders University in Australia.
Inhaltsangabe
Introduction 1. Modernity, Modernism and Music 2. Myth and Narrative in Twentieth Century Musical Culture 3. The Structure of Musical Revolutions 4. Music in Max Weber's Sociology of Modernity 5. Modernity in Theodor Adorno's Philosophy of Modern Music 6. Music in Modern Theories of Communication 7. Arnold Schoenberg: The Composer as Prophet 8. Igor Stravinsky: The Composer as Priest 9. Pierre Boulez: The Composer as Ascetic 10. John Cage: The Composer as Mystic 11. From Avant-Gardism to Post-Modernism 12. Musical Re-Enchantment?
Introduction 1. Modernity, Modernism and Music 2. Myth and Narrative in Twentieth Century Musical Culture 3. The Structure of Musical Revolutions 4. Music in Max Weber's Sociology of Modernity 5. Modernity in Theodor Adorno's Philosophy of Modern Music 6. Music in Modern Theories of Communication 7. Arnold Schoenberg: The Composer as Prophet 8. Igor Stravinsky: The Composer as Priest 9. Pierre Boulez: The Composer as Ascetic 10. John Cage: The Composer as Mystic 11. From Avant-Gardism to Post-Modernism 12. Musical Re-Enchantment?
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309