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Collects 21 essays that represent a wide range of current film theory and illuminate some of the challenges feminist German filmmakers face. They consider the intersections of race, ethnicity, gender, class, and sexuality and discuss various kinds of films (narrative, documentary, art, and essay) fr
This book illuminates some of the challenges feminist German filmmakers face and offers original insights into their filmmaking practices. It considers the intersections of race, ethnicity, gender, class, and sexuality as these are cinematically represented, and discusses narrative, documentary, "art," and essay films from both West and East Germany before and after unification. Several essays treat films by well-known filmmakers, including R.W. Fassbinder, Jutta Brückner, Ulrike Ottinger, Helke Sander, Helma Sanders-Brahms, Monika Treut, and Wim Wenders in ways that challenge the limits of major critical approaches in feminist film criticism today. Importantly, Triangulated Visions also offers suggestive and original analyses of works by filmmakers who, until now, have not received much scholarly treatment.
This book illuminates some of the challenges feminist German filmmakers face and offers original insights into their filmmaking practices. It considers the intersections of race, ethnicity, gender, class, and sexuality as these are cinematically represented, and discusses narrative, documentary, "art," and essay films from both West and East Germany before and after unification. Several essays treat films by well-known filmmakers, including R.W. Fassbinder, Jutta Brückner, Ulrike Ottinger, Helke Sander, Helma Sanders-Brahms, Monika Treut, and Wim Wenders in ways that challenge the limits of major critical approaches in feminist film criticism today. Importantly, Triangulated Visions also offers suggestive and original analyses of works by filmmakers who, until now, have not received much scholarly treatment.