Trends in World Music Analysis
New Directions in World Music Analysis
Herausgeber: Shuster, Lawrence Beaumont; Mukherji, Somangshu; Dinnerstein, Noe
Trends in World Music Analysis
New Directions in World Music Analysis
Herausgeber: Shuster, Lawrence Beaumont; Mukherji, Somangshu; Dinnerstein, Noe
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This volume brings together a group of analytical essays exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research.
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This volume brings together a group of analytical essays exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 338
- Erscheinungstermin: 29. Januar 2024
- Englisch
- Abmessung: 156mm x 234mm x 25mm
- Gewicht: 534g
- ISBN-13: 9781032197340
- ISBN-10: 103219734X
- Artikelnr.: 69791882
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 338
- Erscheinungstermin: 29. Januar 2024
- Englisch
- Abmessung: 156mm x 234mm x 25mm
- Gewicht: 534g
- ISBN-13: 9781032197340
- ISBN-10: 103219734X
- Artikelnr.: 69791882
Lawrence Beaumont Shuster is Lecturer in Music Theory at Cornell University. Somangshu Mukherji is Assistant Professor of Music Theory at the University of Michigan. Noé Dinnerstein is Adjunct Assistant Professor at John Jay College of Criminal Justice, City University of New York.
Introduction
1. Phenomenology of Segah Mugham Creativity on the Tar
2. Rhythm, Form, and Performance in Ladakhi Traditional Songs
3. Moving to the Music: Quantity of Motion as a Tool to Study North
Indian Raga Performance
4. From Dusk till Dawn: Analysis of Cretan Music Festivities
5. The Continua of Sound Qualities for Tanya Tagaq's Katajjaq Sounds
6. Representing and Experiencing Rhythm in Drumming from Santiago de
Cuba
7. Tapping to Recordings of Bulgarian Music: A Cross-Cultural Study of
Meter and Tempo
8. Tempo, Meter, and Form: An Analysis of "Dansa" from Mali
9. Mapping Timbral Surfaces in Alpine Yodeling: New Directions in the
Analysis of Tone Color for Unaccompanied Vocal Music
10. Creative Processes in Improvising Jíbaro Décima
11. "Da mihi manum": An Irish Arcanum
12. Toward a Theory of ¿ka: The Rhythmic Identity of Melody in Late
Eighteenth-Century Turkish Art Music
13. Applying the Generative Theory of Tonal Music to World Music Idioms:
An Analytical Approach to the Polyphonic Singing of Epirus
14. Language Models and World Music Analysis
1. Phenomenology of Segah Mugham Creativity on the Tar
2. Rhythm, Form, and Performance in Ladakhi Traditional Songs
3. Moving to the Music: Quantity of Motion as a Tool to Study North
Indian Raga Performance
4. From Dusk till Dawn: Analysis of Cretan Music Festivities
5. The Continua of Sound Qualities for Tanya Tagaq's Katajjaq Sounds
6. Representing and Experiencing Rhythm in Drumming from Santiago de
Cuba
7. Tapping to Recordings of Bulgarian Music: A Cross-Cultural Study of
Meter and Tempo
8. Tempo, Meter, and Form: An Analysis of "Dansa" from Mali
9. Mapping Timbral Surfaces in Alpine Yodeling: New Directions in the
Analysis of Tone Color for Unaccompanied Vocal Music
10. Creative Processes in Improvising Jíbaro Décima
11. "Da mihi manum": An Irish Arcanum
12. Toward a Theory of ¿ka: The Rhythmic Identity of Melody in Late
Eighteenth-Century Turkish Art Music
13. Applying the Generative Theory of Tonal Music to World Music Idioms:
An Analytical Approach to the Polyphonic Singing of Epirus
14. Language Models and World Music Analysis
Introduction
1. Phenomenology of Segah Mugham Creativity on the Tar
2. Rhythm, Form, and Performance in Ladakhi Traditional Songs
3. Moving to the Music: Quantity of Motion as a Tool to Study North
Indian Raga Performance
4. From Dusk till Dawn: Analysis of Cretan Music Festivities
5. The Continua of Sound Qualities for Tanya Tagaq's Katajjaq Sounds
6. Representing and Experiencing Rhythm in Drumming from Santiago de
Cuba
7. Tapping to Recordings of Bulgarian Music: A Cross-Cultural Study of
Meter and Tempo
8. Tempo, Meter, and Form: An Analysis of "Dansa" from Mali
9. Mapping Timbral Surfaces in Alpine Yodeling: New Directions in the
Analysis of Tone Color for Unaccompanied Vocal Music
10. Creative Processes in Improvising Jíbaro Décima
11. "Da mihi manum": An Irish Arcanum
12. Toward a Theory of ¿ka: The Rhythmic Identity of Melody in Late
Eighteenth-Century Turkish Art Music
13. Applying the Generative Theory of Tonal Music to World Music Idioms:
An Analytical Approach to the Polyphonic Singing of Epirus
14. Language Models and World Music Analysis
1. Phenomenology of Segah Mugham Creativity on the Tar
2. Rhythm, Form, and Performance in Ladakhi Traditional Songs
3. Moving to the Music: Quantity of Motion as a Tool to Study North
Indian Raga Performance
4. From Dusk till Dawn: Analysis of Cretan Music Festivities
5. The Continua of Sound Qualities for Tanya Tagaq's Katajjaq Sounds
6. Representing and Experiencing Rhythm in Drumming from Santiago de
Cuba
7. Tapping to Recordings of Bulgarian Music: A Cross-Cultural Study of
Meter and Tempo
8. Tempo, Meter, and Form: An Analysis of "Dansa" from Mali
9. Mapping Timbral Surfaces in Alpine Yodeling: New Directions in the
Analysis of Tone Color for Unaccompanied Vocal Music
10. Creative Processes in Improvising Jíbaro Décima
11. "Da mihi manum": An Irish Arcanum
12. Toward a Theory of ¿ka: The Rhythmic Identity of Melody in Late
Eighteenth-Century Turkish Art Music
13. Applying the Generative Theory of Tonal Music to World Music Idioms:
An Analytical Approach to the Polyphonic Singing of Epirus
14. Language Models and World Music Analysis