Andere Kunden interessierten sich auch für
![A Year's Music In St. Paul's Cathedral, Easter, 1878-Easter, 1879]( "A Year's Music In St. Paul's Cathedral, Easter, 1878-Easter, 1879")
A Year's Music In St. Paul's Cathedral, Easter, 1878-Easter, 187925,99 €![Theory And Rudimental Harmony (1878)]( "Theory And Rudimental Harmony (1878)")
Theory And Rudimental Harmony (1878)23,99 €![Opera Rariora Quae Latitant In Bibliotheca Canon]( "Opera Rariora Quae Latitant In Bibliotheca Canon")
Opera Rariora Quae Latitant In Bibliotheca Canon34,99 €![Treatise On The History And Construction Of The Violin]( "Treatise On The History And Construction Of The Violin")
Treatise On The History And Construction Of The Violin21,99 €![Treatise On Choral Singing (1882)]( "Treatise On Choral Singing (1882)")
Treatise On Choral Singing (1882)14,99 €![A System Of The Science Of Music And Practical Composition (1827)]( "A System Of The Science Of Music And Practical Composition (1827)")
A System Of The Science Of Music And Practical Composition (1827)32,99 €![The Heroine Of Love]( "The Heroine Of Love")
The Heroine Of Love20,99 €
Treatise on Canon and Fugue is a comprehensive guide to the principles and techniques of music composition, written by Ernst Friedrich Richter in 1878. The book focuses on the use of canons and fugues, two complex musical forms that require a deep understanding of harmony, counterpoint, and musical structure. Richter begins with an overview of the history of canons and fugues, tracing their development from medieval times to the present day. He then delves into the technical aspects of these forms, providing detailed instructions on how to create them and offering numerous examples to illustrate his points. Throughout the book, Richter emphasizes the importance of careful planning and attention to detail in the composition of canons and fugues. He also discusses the role of improvisation in these forms, and provides guidance on how to incorporate improvisation into a structured composition. Treatise on Canon and Fugue is a valuable resource for composers, music theorists, and anyone interested in the history and theory of music composition. It is written in a clear and concise style, making it accessible to both beginners and advanced students of music.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.