How colonial mapping traditions were combined with practices of nineteenth-century visual culture in the first maps of independent Mexico, particularly in those created by the respected cartographer Antonio García Cubas.
How colonial mapping traditions were combined with practices of nineteenth-century visual culture in the first maps of independent Mexico, particularly in those created by the respected cartographer Antonio García Cubas.
Magali M. Carrera is Chancellor Professor of Art History at the University of Massachusetts, Dartmouth. She is the author of Imagining Identity in New Spain: Race, Lineage, and the Colonial Body in Portraiture and Casta Paintings.
Inhaltsangabe
List of Illustrations ix Preface xiii Acknowledgments xix Introduction: Research and Theoretical Perspectives 1 1. Making the Invisible Visible 19 2. Locating New Spain: Spanish Mappings 39 3. Touring Mexico: A Journey to the Land of the Aztecs 63 4. Imagining the Nation and Forging the State: Mexican Nationalist Imagery 1810 1860 109 5. Finding Mexico: The García Cubas Projects 1850 1880 144 6. Traveling from New Spain to Mexicö1880 1911 184 7. Performing the Nation 232 Notes 245 Bibliography 277 Index 317
List of Illustrations ix Preface xiii Acknowledgments xix Introduction: Research and Theoretical Perspectives 1 1. Making the Invisible Visible 19 2. Locating New Spain: Spanish Mappings 39 3. Touring Mexico: A Journey to the Land of the Aztecs 63 4. Imagining the Nation and Forging the State: Mexican Nationalist Imagery 1810 1860 109 5. Finding Mexico: The García Cubas Projects 1850 1880 144 6. Traveling from New Spain to Mexicö1880 1911 184 7. Performing the Nation 232 Notes 245 Bibliography 277 Index 317
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