Trash or treasure is a wide-ranging historical study of the British circulation of the video nasties - A term that was originally coined to ban a group of horror videos in Britain in the 1980s but which continues to have cultural resonance in Britain up to the present day.
Trash or treasure is a wide-ranging historical study of the British circulation of the video nasties - A term that was originally coined to ban a group of horror videos in Britain in the 1980s but which continues to have cultural resonance in Britain up to the present day.
Kate Egan is Lecturer in Film Studies in Aberstwyth University
Inhaltsangabe
Introduction: the video nasties and the consequences of censorship. Producing the nasties 1. The British art of policing cultural boundaries: the legacy of British horror film reviewing 2. Reconsidering 'the plague years': the marketing of the video nasties 3. A 'real horror show': the video nasty press campaign. Cults, collectors and cultural memory 4. Mapping out the territory of a fan culture: video nasties and the British horror magazine 5. Facts, lists and memories: 'masculine' identities and video nasty websites 6. The celebration of a 'proper product': exploring video collecting through the video nasties Re-releases and re-evaluations 7. Previously banned: remarketing the nasties as retro products 8. Low or high? Film Four, film festivals and the nasties Conclusion: the nasties, British film culture and cross-cultural reception
Introduction: the video nasties and the consequences of censorship. Producing the nasties 1. The British art of policing cultural boundaries: the legacy of British horror film reviewing 2. Reconsidering 'the plague years': the marketing of the video nasties 3. A 'real horror show': the video nasty press campaign. Cults, collectors and cultural memory 4. Mapping out the territory of a fan culture: video nasties and the British horror magazine 5. Facts, lists and memories: 'masculine' identities and video nasty websites 6. The celebration of a 'proper product': exploring video collecting through the video nasties Re-releases and re-evaluations 7. Previously banned: remarketing the nasties as retro products 8. Low or high? Film Four, film festivals and the nasties Conclusion: the nasties, British film culture and cross-cultural reception
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309