Transnational Zombie Cinema, 2010 to 2020: Readings in a Mutating Tradition examines selected films produced outside the United States in the second decade of the millennial zombie renaissance. Ziegler analyzes how the films adapt the zombie myth to localized concerns as it circulates in post-Great Recession transnational zombie cinema.
Transnational Zombie Cinema, 2010 to 2020: Readings in a Mutating Tradition examines selected films produced outside the United States in the second decade of the millennial zombie renaissance. Ziegler analyzes how the films adapt the zombie myth to localized concerns as it circulates in post-Great Recession transnational zombie cinema.
Preface Acknowledgments Introduction Part I: Mutations in Europe Australia and the Americas Chapter 1: Class and Capitalism Take 1: Italy England and Cuba Chapter 2: Gender Sex and Family Take 1: Belgium Australia and Germany Chapter 3: Race and Nation Take 1: The United States Canada and Australia Chapter 4: Self Society and State Take 1: France Canada and Ireland Part II: Mutations in Asia Chapter 5: Class and Capitalism Take 2: Malaysia South Korea and the Philippines Chapter 6: Gender Sex and Family Take 2: Japan South Korea and the Philippines Chapter 7: Race and Nation Take 2: China South Korea and Japan Chapter 8: Self Society and State Take 2: China South Korea and India Conclusion References Filmography About the Author
Preface Acknowledgments Introduction Part I: Mutations in Europe Australia and the Americas Chapter 1: Class and Capitalism Take 1: Italy England and Cuba Chapter 2: Gender Sex and Family Take 1: Belgium Australia and Germany Chapter 3: Race and Nation Take 1: The United States Canada and Australia Chapter 4: Self Society and State Take 1: France Canada and Ireland Part II: Mutations in Asia Chapter 5: Class and Capitalism Take 2: Malaysia South Korea and the Philippines Chapter 6: Gender Sex and Family Take 2: Japan South Korea and the Philippines Chapter 7: Race and Nation Take 2: China South Korea and Japan Chapter 8: Self Society and State Take 2: China South Korea and India Conclusion References Filmography About the Author
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