Pushing the complexities of theatrical connections beyond questions of national boundaries, Transnational connections in early modern theatre studies performance as a connective medium, to engage with the complex encounters, exchanges and interactions among texts, performers and communities, in a time of vastly increasing interchange and mobility.
Pushing the complexities of theatrical connections beyond questions of national boundaries, Transnational connections in early modern theatre studies performance as a connective medium, to engage with the complex encounters, exchanges and interactions among texts, performers and communities, in a time of vastly increasing interchange and mobility.
M. A. Katritzky is Barbara Wilkes Research Fellow in Theatre Studies and Director, The Centre for Research into Gender and Otherness in the Humanities, at The Open University Pavel Drábek is Professor of Drama and Theatre Practice in the School of the Arts at the University of Hull
Inhaltsangabe
List of illustrations Acknowledgements Introduction Pavel Drábek and M. A. Katritzky Part I: West 1 If the shoe fits, or the truth in pinking Natasha Korda 2 Freedom and constraint in transnational comedy: The 'jest unseen' of love letters in Two Gentlemen of Verona and El perro del hortelano Susanne L. Wofford 3 'La voluntad jamás permite señor': Transnational versions of cross class desire in Cardenio and Mujeres y criados Barbara Fuchs 4 The African ambassador's travels: Playing black in late seventeenth century France and Spain Noémie Ndiaye Part II: North 5 Migration and drama: Amsterdam 1617 Nigel Smith 6 London and The Hague, 1638: Performing quacks at court M. A. Katritzky 7 'Why, sir, are there other heauens in other countries?': The English Comedy as a transnational style Pavel Drábek 8 The Re Inspired and Revived Bernardon: Metamorphoses of early modern comedy in eighteenth century bourgeois theatre Friedemann Kreuder Part III: South 9 Northern lights and shadows: Transcultural encounters in early modern Italian theatre Eric Nicholson 10 Representations of female power: Musical spectacle at the Paris court of Maria de' Medici, the Italian Minerva of France Janie Cole 11 Ebrei and Turchi performing in early modern Venice and Mantua Erith Jaffe Berg 12 Ragozine's beheading: Dramatic and civil logics of the European state form Jacques Lezra Afterword Robert Henke Bibliography Index
List of illustrations Acknowledgements Introduction Pavel Drábek and M. A. Katritzky Part I: West 1 If the shoe fits, or the truth in pinking Natasha Korda 2 Freedom and constraint in transnational comedy: The 'jest unseen' of love letters in Two Gentlemen of Verona and El perro del hortelano Susanne L. Wofford 3 'La voluntad jamás permite señor': Transnational versions of cross class desire in Cardenio and Mujeres y criados Barbara Fuchs 4 The African ambassador's travels: Playing black in late seventeenth century France and Spain Noémie Ndiaye Part II: North 5 Migration and drama: Amsterdam 1617 Nigel Smith 6 London and The Hague, 1638: Performing quacks at court M. A. Katritzky 7 'Why, sir, are there other heauens in other countries?': The English Comedy as a transnational style Pavel Drábek 8 The Re Inspired and Revived Bernardon: Metamorphoses of early modern comedy in eighteenth century bourgeois theatre Friedemann Kreuder Part III: South 9 Northern lights and shadows: Transcultural encounters in early modern Italian theatre Eric Nicholson 10 Representations of female power: Musical spectacle at the Paris court of Maria de' Medici, the Italian Minerva of France Janie Cole 11 Ebrei and Turchi performing in early modern Venice and Mantua Erith Jaffe Berg 12 Ragozine's beheading: Dramatic and civil logics of the European state form Jacques Lezra Afterword Robert Henke Bibliography Index
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