15,99 €
inkl. MwSt.

Versandfertig in 1-2 Wochen
payback
8 °P sammeln
  • Broschiertes Buch

This book is a requiem. The original title of this book was The World Is a Barrio. The idea was to pay homage to the band, WAR. The song, "The World Is a Ghetto" inspired me to see the world differently. It encouraged me to see the world beyond the one I lived in. And, the world I was raised in was one of gangs, sex, drugs, violence, poverty, systemic/structural racism, education inequity, health disparity, food insecurity, patriotism, and death. A ghetto. A barrio. For whatever reason, so many in the world want to forget this world existed and still does. Some cancel-culture cancels culture.…mehr

Andere Kunden interessierten sich auch für
Produktbeschreibung
This book is a requiem. The original title of this book was The World Is a Barrio. The idea was to pay homage to the band, WAR. The song, "The World Is a Ghetto" inspired me to see the world differently. It encouraged me to see the world beyond the one I lived in. And, the world I was raised in was one of gangs, sex, drugs, violence, poverty, systemic/structural racism, education inequity, health disparity, food insecurity, patriotism, and death. A ghetto. A barrio. For whatever reason, so many in the world want to forget this world existed and still does. Some cancel-culture cancels culture. I used the title for my second novel instead. Then, I wanted to title the book, The Pinche Piñata. This title was a metaphor-a play on the expression, "Mi vida loca." It was the original title of my second novel. I shopped the manuscript back in 2011. No one was ready to publish a book that examined transgender identity development and gender dysphoria. No one wanted to watch a boy grow up in the barrio and survive his machismo family. Or, maybe it was because less than 10 percent of the fiction-authors published are people of color. The meaning of the title, The Pinche Piñata, was intended to describe how my life felt. I have been a piñata. Life was the stick. That stick beat me again and again until I finally broke. And, that was when all the good stuff came pouring out-everyone ran up to take a piece. However, I felt uncomfortable cursing every time I told someone the title. It is not something I do very often. So, I called my daughter. She says, "Dad, your work is about the damage of being nurtured in an environment of toxic masculinity." She says, "How about, Toxic Masculinity?" Another proud-dad moment. Of course . . . It was not life I survived, you survived, he survived, she survived, they survived, we survived. It was toxic masculinity. This book is a collection of poems based upon the lives of those that I have grieved, loved, feared, respected, and survived.
Autorenporträt
rn in Los Angeles County, Fox Hills, California, Fernando Albert Salinas received a Master of Fine Arts in Creative Writing with an emphasis in Entertainment from Full Sail University and a Bachelor of Arts in English at California State University, Channel Islands. He is on the Board of Directors for California Poets in the Schools, the Ventura County Area Coordinator, and a Master Poet-Teacher. He is also an Adjunct Professor of English at Ventura College, the Ventura County Area Coordinator and recitation coach for the California Arts Council's Poetry Out Loud program, and the Editor-In-Chief for Spit Shine Publishing. As Literary Arts Program Coordinator for the Ventura County Arts Council, he focuses on enhancing the presence and appreciation of poetry and the literary arts, raising awareness of the power of literature, poetry, and the spoken word. In 2012, Salinas initiated the Groundswell Committee: a small collection of local poets, with the support of the Ventura County Arts Council, and created the County's poet laureate program. In 2018, he implemented a youth poet laureate program for the county. His written poetry has appeared in several publications, including Askew Poetry Journal, Solo Poetry Journal, Miramar, and Lummox Press. He has performed his spoken word internationally.