Frederick Luis Aldama is Arts and Humanities Distinguished Professor of English at Ohio State University. He is the author and editor of numerous books, including Postethnic Narrative Criticism; Brown on Brown: Chicano/a Representations of Gender, Sexuality, and Ethnicity; the MLA-award winning Dancing With Ghosts: A Critical Biography of Arturo Islas; and Why the Humanities Matters: A Common Sense Approach.
Inhaltsangabe
1. Introduction: The Sciences and Humanities Matter as One (Frederick Luis Aldama) 2. Part I: General and Theoretical Considerations * Chapter One. Arts in the Brain; or, What Might Neuroscience Tell Us? (Herbert Lindenberger) * Chapter Two. Narrative as Nourishment (Ellen Spolsky) * Chapter Three. Narrative Empathy (Suzanne Keen) * Chapter Four. The Biolinguistic Turn: Toward a New Semiotics of Film (Javier Gutiérrez-Rexach) * Chapter Five. Voice and Perception: An Evolutionary Approach to the Basic Function of Narrative (Katja Mellmann) * Chapter Six. Dreaming and Narrative Theory (Richard Walsh) 3. Part II: A Selection of New Approaches * Chapter Seven. Cross-Cultural Mind-Reading; or, Coming to Terms with the Ethnic Mother in Maxine Hong Kingston's The Woman Warrior (Klarina Priborkin) * Chapter Eight. Theory of Mind and Michael Fried's Absorption and Theatricality: Notes toward Cognitive Historicism (Lisa Zunshine) * Chapter Nine. Garden Paths and Ineffable Effects: Abandoning Representation in Literature and Film (H. Porter Abbott) * Chapter Ten. Consciousness, Ethics, and Narrative: Reading Literature in an Age of Torture (Patrick Colm Hogan) * Chapter Eleven. Prophesying with Accents Terrible: Emotion and Appraisal in Macbeth (Lalita Pandit Hogan) 4. Glossary 5. Bibliography 6. Contributors 7. Index
1. Introduction: The Sciences and Humanities Matter as One (Frederick Luis Aldama) 2. Part I: General and Theoretical Considerations * Chapter One. Arts in the Brain; or, What Might Neuroscience Tell Us? (Herbert Lindenberger) * Chapter Two. Narrative as Nourishment (Ellen Spolsky) * Chapter Three. Narrative Empathy (Suzanne Keen) * Chapter Four. The Biolinguistic Turn: Toward a New Semiotics of Film (Javier Gutiérrez-Rexach) * Chapter Five. Voice and Perception: An Evolutionary Approach to the Basic Function of Narrative (Katja Mellmann) * Chapter Six. Dreaming and Narrative Theory (Richard Walsh) 3. Part II: A Selection of New Approaches * Chapter Seven. Cross-Cultural Mind-Reading; or, Coming to Terms with the Ethnic Mother in Maxine Hong Kingston's The Woman Warrior (Klarina Priborkin) * Chapter Eight. Theory of Mind and Michael Fried's Absorption and Theatricality: Notes toward Cognitive Historicism (Lisa Zunshine) * Chapter Nine. Garden Paths and Ineffable Effects: Abandoning Representation in Literature and Film (H. Porter Abbott) * Chapter Ten. Consciousness, Ethics, and Narrative: Reading Literature in an Age of Torture (Patrick Colm Hogan) * Chapter Eleven. Prophesying with Accents Terrible: Emotion and Appraisal in Macbeth (Lalita Pandit Hogan) 4. Glossary 5. Bibliography 6. Contributors 7. Index
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