This collection of essays seeks to remedy this deficit by illuminating ways in which today's curious musician - interested in probing beyond the dictates of a faintly-understood score - can engage more deeply and thoughtfully with the act of interpretation.
This collection of essays seeks to remedy this deficit by illuminating ways in which today's curious musician - interested in probing beyond the dictates of a faintly-understood score - can engage more deeply and thoughtfully with the act of interpretation.
Sezi Seskir received her first degree in piano in her native, Ankara, Turkey. She continued with her studies in Lübeck Musikhochschule and then completed a DMA degree with Malcolm Bilson at Cornell University, Ithaca, USA. She is currently Associate Professor of Music at Bucknell University, USA. David Hyun-su Kim is concert pianist specializing in historical performance. He holds degrees in music from Cornell, Yale, and Harvard Universities, as well as a Doctorate from the New England Conservatory. www.davidkimpiano.com
Inhaltsangabe
1. Introduction: Topics in Musical Interpretation Continuing Dialogues 2. The Case of Beethoven: A Tie by Any Other Name... 3. Musical Topoi in Brahms's 7 Fantasien Op. 116 4. Should the End of a Phrase be Emphasized? An Essay in Musical Prosody Challenging Dialogues 5. What Can Performance and Theory Teach Each Other? 6. Beyond the Interpretation of Music Starting New Dialogues 7. Arrangement Practices in the Bach Tradition Then and Now: Historical Precedent for Modern Practice 8. Listening to Builders 9. Gould and Liberace or the Fate of Nineteenth-Century Performance Culture 10. Do They Still Hate Horowitz? The "Last Romantic" Revisited
1. Introduction: Topics in Musical Interpretation Continuing Dialogues 2. The Case of Beethoven: A Tie by Any Other Name... 3. Musical Topoi in Brahms's 7 Fantasien Op. 116 4. Should the End of a Phrase be Emphasized? An Essay in Musical Prosody Challenging Dialogues 5. What Can Performance and Theory Teach Each Other? 6. Beyond the Interpretation of Music Starting New Dialogues 7. Arrangement Practices in the Bach Tradition Then and Now: Historical Precedent for Modern Practice 8. Listening to Builders 9. Gould and Liberace or the Fate of Nineteenth-Century Performance Culture 10. Do They Still Hate Horowitz? The "Last Romantic" Revisited
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