Preface Notational conventions 1. Setting the stage 2. Tonal representation and tonal processes 3. Directionality and interacting sandhi processes I 4. Directionality and interacting sandhi processes II 5. From base tones to sandhi forms: a constraint-based analysis 6. From tone to accent 7. Stress-foot as sandhi domain I 8. Stress-foot as sandhi domain II 9. Minimal rhythmic unit as obligatory sandhi domain 10. Phonological phrase as a sandhi domain 11. From tone to intonation Concluding remarks Bibliographical appendix: tone sandhi across Chinese dialects References Subject index Author index.
Preface Notational conventions 1. Setting the stage 2. Tonal representation and tonal processes 3. Directionality and interacting sandhi processes I 4. Directionality and interacting sandhi processes II 5. From base tones to sandhi forms: a constraint-based analysis 6. From tone to accent 7. Stress-foot as sandhi domain I 8. Stress-foot as sandhi domain II 9. Minimal rhythmic unit as obligatory sandhi domain 10. Phonological phrase as a sandhi domain 11. From tone to intonation Concluding remarks Bibliographical appendix: tone sandhi across Chinese dialects References Subject index Author index.
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