Tonality and Transformation employs transformational music theory to illuminate diverse aspects of tonal hearing-from the infusion of sounding pitches with familiar tonal qualities to sensations of directedness and attraction.
Tonality and Transformation employs transformational music theory to illuminate diverse aspects of tonal hearing-from the infusion of sounding pitches with familiar tonal qualities to sensations of directedness and attraction.
Steven Rings is Associate Professor of Music and the Humanities at the University of Chicago.
Inhaltsangabe
Note to Readers A Note on Orthography Introduction Part I: Theory and Methodology Chapter 1: Intervals, Transformations, and Tonal Analysis Chapter 2: A Tonal GIS Chapter 3: Oriented Networks Part II: Analytical Essays Chapter 4: Bach, Fugue in E major, Well-Tempered Clavier, Book II, BWV 878 Chapter 5: Mozart, "Un'aura amorosa," from Così fan tutte Chapter 6: Brahms, Intermezzo in A major, op. 118, no. 2 Chapter 7: Brahms, String Quintet in G major, mvt. ii, Adagio Glossary Works Cited Index
Note to Readers A Note on Orthography Introduction Part I: Theory and Methodology Chapter 1: Intervals, Transformations, and Tonal Analysis Chapter 2: A Tonal GIS Chapter 3: Oriented Networks Part II: Analytical Essays Chapter 4: Bach, Fugue in E major, Well-Tempered Clavier, Book II, BWV 878 Chapter 5: Mozart, "Un'aura amorosa," from Così fan tutte Chapter 6: Brahms, Intermezzo in A major, op. 118, no. 2 Chapter 7: Brahms, String Quintet in G major, mvt. ii, Adagio Glossary Works Cited Index
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