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Tiny Extravaganzas, Diane Mehta's fiercely lyrical new collection, works the American sentence to its limits. Mehta's poems are miniaturist examinations of art, aging, literature, grief, parenting, the sublime, labor, and faith. She chases rhythm, rhymes with wit, and upends formal verse with phrasing that moves like jazz against and within tradition. Art is both anchor and a framework for understanding the world, and each poem is an opportunity to have a conversation with the reader and with art and other artists. Her poems vary from small, contemplative musical interludes to epic poems about…mehr

Produktbeschreibung
Tiny Extravaganzas, Diane Mehta's fiercely lyrical new collection, works the American sentence to its limits. Mehta's poems are miniaturist examinations of art, aging, literature, grief, parenting, the sublime, labor, and faith. She chases rhythm, rhymes with wit, and upends formal verse with phrasing that moves like jazz against and within tradition. Art is both anchor and a framework for understanding the world, and each poem is an opportunity to have a conversation with the reader and with art and other artists. Her poems vary from small, contemplative musical interludes to epic poems about collective suffering. Mehta's refined and propulsive poems come with an emotional bang that quietly breaks your heart.
Autorenporträt
Diane Mehta was born in Frankfurt, grew up in Bombay and New Jersey, studied in Boston, and now makes her home in New York City. She is the author of the poetry collection, Forest with Castanets (Four Way, 2019), as well as a poetics and style guide, How to Write Poetry (Barnes & Noble Books, 2005), and the essay collection Happier Far (University of Georgia Press 2024-25). Her work has been recognized by the Peter Heinegg Literary Award, the Café Royal Cultural Foundation, a Kirby-Mewshaw fellowship at Civitella Ranieri, and a fellowship at Yaddo. She was the founding managing editor of A Public Space, launched and edited Glossolalia for PEN America to publish writing from traditionally underrepresented languages, and was executive nonfiction editor for Guernica.