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This book employs Jungian and post-Jungian concepts of unconscious mental processes along with film semiotics, analysis of narrative devices and cinematic history; to explore the reworking of myth and fairytale in Burton's gothic fantasy world.

Produktbeschreibung
This book employs Jungian and post-Jungian concepts of unconscious mental processes along with film semiotics, analysis of narrative devices and cinematic history; to explore the reworking of myth and fairytale in Burton's gothic fantasy world.
Autorenporträt
Helena Bassil-Morozow has been teaching Film, Drama and Literature in various further education institutions and in private practice for over five years.
Rezensionen
"Brilliantly confirms what we have been suspecting all along - that film studies drawing on Jungian psychology is a genuine advance, here to stay, and capable of extending itself across several generations of authors. Helena Bassil-Morozow approaches the key contemporary question of the relations between individual and crowd via a creative intermingling of a profound engagement with Burton's films and Jung's idea of individuation. The monster we meet in book and film sets off something massive in everyone - that's what this level of writing about the archetypal can do." - Andrew Samuels, University of Essex, UK

"Brilliantly confirms what we have been suspecting all along - that film studies drawing on Jungian psychology is a genuine advance, here to stay, and capable of extending itself across several generations of authors. Helena Bassil-Morozow approaches the key contemporary question of the relations between individual and crowd via a creative intermingling of a profound engagement with Burton's films and Jung's idea of individuation. The monster we meet in book and film sets off something massive in everyone - that's what this level of writing about the archetypal can do." - Andrew Samuels, University of Essex, UK