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This book is about the transition that musicals went through when they traveled from the stage to the screen. While the approach is critical, the style is readable and yields fascinating knowledge on the many things that did and didn't happen as theatre and film have merged throughout the past century.Hischak'sanalysis covers productions from The Desert Song (1927), to Chicago (2002).

Produktbeschreibung
This book is about the transition that musicals went through when they traveled from the stage to the screen. While the approach is critical, the style is readable and yields fascinating knowledge on the many things that did and didn't happen as theatre and film have merged throughout the past century.Hischak'sanalysis covers productions from The Desert Song (1927), to Chicago (2002).
Autorenporträt
Thomas S. Hischak is professor of theatre at State University of New York at Cortland. He is the author of fifteen books, including Enter the Players: New York Stage Actors in the Twentieth Century (Scarecrow Press, 2003). Hischak is also winner of a Choice "Outstanding Academic Book" award.