A Thousand Darknesses takes a provocative look at the primary works of literature about the Holocaust, arguing that the line between fact and fiction, memoir and novel, is all but impossible to draw.
A Thousand Darknesses takes a provocative look at the primary works of literature about the Holocaust, arguing that the line between fact and fiction, memoir and novel, is all but impossible to draw.
Ruth Franklin is a literary and cultural critic and a senior editor at The New Republic. Her book reviews and essays appear also in The New Yorker, The New York Times Book Review, Granta, Slate, and other publications.
Inhaltsangabe
Introduction Part One: The Witnesses Chapter One Angry Young Man: Tadeusz Borowski Chapter Two The Alchemist: Primo Levi Chapter Three The Kabbalist in the Death Camps: Elie Wiesel Chapter Four The Anti-Witness: Piotr Rawicz Part Two: The Winding Border Chapter Five The Art of the Self: Jerzy Kosinski Chapter Six Child of Auschwitz: Imre Kertesz Chapter Seven Oskar Schindler and His List Chapter Eight Wolfgang Koeppen Chapter Nine W.G. Sebald Part Three: The Future Chapter Ten Bernhard Schlink Chapter Eleven Identity Theft: The Second Generation Chapter Twelve: The Third Generation?
Introduction Part One: The Witnesses Chapter One Angry Young Man: Tadeusz Borowski Chapter Two The Alchemist: Primo Levi Chapter Three The Kabbalist in the Death Camps: Elie Wiesel Chapter Four The Anti-Witness: Piotr Rawicz Part Two: The Winding Border Chapter Five The Art of the Self: Jerzy Kosinski Chapter Six Child of Auschwitz: Imre Kertesz Chapter Seven Oskar Schindler and His List Chapter Eight Wolfgang Koeppen Chapter Nine W.G. Sebald Part Three: The Future Chapter Ten Bernhard Schlink Chapter Eleven Identity Theft: The Second Generation Chapter Twelve: The Third Generation?
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