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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - This is the end, for the moment, of all my thinking, this is my unfinal conclusion. There is no reason in tangible things, and no system in the ordinary ways of the world. Hands were made to grope, and feet to stumble, and the only things you may count on are the unaccountable things. System is a fairy and a dream, you never find system where or when you expect it. There are no reasons except reasons you and I don't know. I should…mehr

Produktbeschreibung
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - This is the end, for the moment, of all my thinking, this is my unfinal conclusion. There is no reason in tangible things, and no system in the ordinary ways of the world. Hands were made to grope, and feet to stumble, and the only things you may count on are the unaccountable things. System is a fairy and a dream, you never find system where or when you expect it. There are no reasons except reasons you and I don't know. I should not be really surprised if the policeman across the way grew wings, or if the deep sea rose and washed out the chaos of the land. I should not raise my eyebrows if the daily press became the Little Sunbeam of the Home, or if Cabinet Ministers struck for a decrease of wages. I feel no security in facts, precedent seems no protection to me. The wisdom you can find in an Encyclopedia, or in Selfridge's Information Bureau, seems to me just a transitory adaptation to quicksand circumstances.
Autorenporträt
Stella Benson (1892-1933) was an English feminist, novelist, poet, and travel writer. Benson spent the winter of 1913-14 in the West Indies, which provided material for her first novel, I Pose (1915). Living in London, she became involved in women's suffrage. During World War I, she worked as a professional jobbing gardener, became a farm labourer, worked to improve the conditions of life for sex-workers, and withstood an onslaught of romantic importunity. According to George Malcolm Johnson, "Stella Benson had a unique ability to blend fantasy and reality, especially evident in her earlier novels and in her short stories. Her impish humour and wicked wit, frequently directed towards a satirical end, masked an underlying compassion. Benson's novels (especially her later more realistic ones) and stories often treat serious social issues and reflect her travails as a twentieth-century woman: supporting female suffrage, witnessing the tragedy of the First World War, and living in a hostile, volatile colonial setting. Despite her very modern, ironic treatment of the theme of individuals lost, isolated, and alienated in strange and frightening situations, she has not garnered much contemporary critical attention, and deserves reappraisal."