Tracing musicology in Latin American during the twentieth century, this book presents case studies to illustrate how Latin American music has interacted with social and global processes. It addresses popular music, postcolonialism, women in music, tradition and modernity, musical counterculture, globalization, and identity construction.
Tracing musicology in Latin American during the twentieth century, this book presents case studies to illustrate how Latin American music has interacted with social and global processes. It addresses popular music, postcolonialism, women in music, tradition and modernity, musical counterculture, globalization, and identity construction.
Juan Pablo González is director of the Alberto Hurtado University Music Institute and affiliate of the Catholic University of Chile Institute of History. Nancy Morris is professor in the Department of Media Studies and Production and the Doctoral Program in Media and Communication at Temple University.
Inhaltsangabe
Acknowledgments Preface to the English edition Introduction I. Musicology and Latin America II. The Multidisciplinary Turn III. Postcolonial Listening IV. Popular Music Studies V. From Song-Object to Song-Process VI. Multiple Origins: Martian Cutie Travels the Earth VII. Women Take the Stage VIII. Tradition, Modernity, and the Avant-garde: From the Conservatory to Víctor Jara IX. Primitive Avant-garde: Los Jaivas and the Chilean Counterculture X. Mass Counterculture under Military Dictatorships Brazil and Chile XI. Folk Music and Globalization: Expanding Roots across Space and Time Afterword to the English edition Works cited Index About the Author and Translator
Acknowledgments Preface to the English edition Introduction I. Musicology and Latin America II. The Multidisciplinary Turn III. Postcolonial Listening IV. Popular Music Studies V. From Song-Object to Song-Process VI. Multiple Origins: Martian Cutie Travels the Earth VII. Women Take the Stage VIII. Tradition, Modernity, and the Avant-garde: From the Conservatory to Víctor Jara IX. Primitive Avant-garde: Los Jaivas and the Chilean Counterculture X. Mass Counterculture under Military Dictatorships Brazil and Chile XI. Folk Music and Globalization: Expanding Roots across Space and Time Afterword to the English edition Works cited Index About the Author and Translator
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