Twenty years after the fall of communism in Central and East Europe is an ocassion to reevaluate the cultural and theological contribution from that region to the secularisation - post-secularisation debate. Czech theologian Ivana Noble develops a Trinitarian theology through a close dialogue with literature, music and film, which formed not only
Twenty years after the fall of communism in Central and East Europe is an ocassion to reevaluate the cultural and theological contribution from that region to the secularisation - post-secularisation debate. Czech theologian Ivana Noble develops a Trinitarian theology through a close dialogue with literature, music and film, which formed not only
Ivana Noble (DolejÅ¡ová) is a Czech theologian, a graduate of the Hussite Theological Faculty in Prague, where she finished her Masters degree just after the fall of Communism. She completed her doctoral studies at Heythrop College in London with a thesis Account of Hope: A Problem of Method in Postmodern Apologia (published in 2001). In 1994-2000 she was Director of the Institute of Ecumenical Studies in Prague, which she co-founded. During that time she wrote also her habilitation work, published in Czech as Po BozÃch stopách: Teologie jako interpretace nábozenské zkuÅ¡enosti (in 2004), which has now been published in English under the title Tracking God: Ecumenical Fundamental Theology (2010). She is a former president of Societas Oecumenica, the European association for ecumenical theology and author of numerous articles on the hermeneutics of Christian tradition, the dialogue between philosophy, theology and arts, as well as on theological responses to totalitarian thinking and the secularization - post-secularization debate. Currently she works as an associate professor of Ecumenical Theology at the Protestant Theological Faculty of Charles University and is also a Senior Research Fellow at the International Baptist Seminary in Prague, Czech Republic.
Inhaltsangabe
Contents: Preface Introduction: culture as a theological theme Part I The World: Images of the world in Karel Capek and Isaac Bashevis Singer Theologies of the world. Part II Memory: Heritage of totaltarian cultures in folk music Redemptive memory on theology. Part III The Ultimate Fulfilment: Figuring the ultimate fulfilment in Central European cinema Love as the ultimate fulfilment in theology Conclusion Bibliography Index.
Contents: Preface Introduction: culture as a theological theme Part I The World: Images of the world in Karel Capek and Isaac Bashevis Singer Theologies of the world. Part II Memory: Heritage of totaltarian cultures in folk music Redemptive memory on theology. Part III The Ultimate Fulfilment: Figuring the ultimate fulfilment in Central European cinema Love as the ultimate fulfilment in theology Conclusion Bibliography Index.
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