Theatre in Practice, third edition, is an accessible and wide-ranging exploration of the central practices and key practitioners covered on the various syllabi at A level, IB, and at undergraduate level.
Theatre in Practice, third edition, is an accessible and wide-ranging exploration of the central practices and key practitioners covered on the various syllabi at A level, IB, and at undergraduate level.
Nick O'Brien trained as an actor and director for four years under Sam Kogan, who was a pupil of Maria Knebel, one of Stanislavski's pupils in Moscow. He has a postgraduate certificate in education from Keele University, UK. Nick founded and runs The Stanislavski Experience, delivering workshops and teacher training in the UK and abroad. Nick wrote Stanislavski in Practice, also published by Routledge and created the Stanislavski in Practice films. Annie Sutton is a collaborative director and practitioner who trained with Desmond Jones in Mime and Physical Theatre, at École Jacques Lecoq and has a postgraduate certificate in education in film and drama. Annie is the lead Lecoq and Berkoff practitioner at The Stanislavski Experience. Mikhaela Mahony received her bachelor of arts degree from Barnard College, New York City, and a master of fine arts degree from Columbia University, New York City, under the tutelage of Brian Kulick and Anne Bogart. Mikhaela is a Brooklyn-based director working in theatre, opera, and film, and a proud member of New York's Ensemble Studio Theatre.
Inhaltsangabe
Acknowledgements Introduction Key Practitioners Chapter 1 Stanislavski Chapter 2 Brecht Chapter 3 Artaud Chapter 4 Lecoq to Complicite Chapter 5 Berkoff Chapter 6 Bogart Chapter 7 Mitchell Chapter 8 Tamasha Chapter 9 Gecko Skills you will need Chapter 10 Rehearsing a monologue / duologue: Steps to Creating a Character Chapter 11 Acting with Indira Varma Chapter 12 Devising theatre using The Paper Birds, Sh!t Theatre and Edward Gordon Craig Chapter 13 Improvising with a Practitioner Chapter 14 Directing a Play Afterword Glossary of terms used Index
Acknowledgements Introduction Key Practitioners Chapter 1 Stanislavski Chapter 2 Brecht Chapter 3 Artaud Chapter 4 Lecoq to Complicite Chapter 5 Berkoff Chapter 6 Bogart Chapter 7 Mitchell Chapter 8 Tamasha Chapter 9 Gecko Skills you will need Chapter 10 Rehearsing a monologue / duologue: Steps to Creating a Character Chapter 11 Acting with Indira Varma Chapter 12 Devising theatre using The Paper Birds, Sh!t Theatre and Edward Gordon Craig Chapter 13 Improvising with a Practitioner Chapter 14 Directing a Play Afterword Glossary of terms used Index
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