Theatre History Studies 2016, Vol. 35
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Essays in part one of this volume address theatrical production in very specific historical contexts, among them German theatre "from the rubble of Berlin” and German nationalist mass spectacles. Essays in part two are devoted to the theme of "Rethinking the Maternal” in contemporary and historical theatre.

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Produktbeschreibung
Essays in part one of this volume address theatrical production in very specific historical contexts, among them German theatre "from the rubble of Berlin” and German nationalist mass spectacles. Essays in part two are devoted to the theme of "Rethinking the Maternal” in contemporary and historical theatre.
Autorenporträt
Sara Freeman is an associate professor of theatre at the University of Puget Sound. Freeman is a coediter of International Dramaturgy: Translation and Transformations in the Theatre of Timberlake Wertenbaker and recently staged Spring Awakening, the musical.