Examining the artistic, intellectual, and social life of performance, Theatre, Exhibition, and Curation interrogates Theatre and Performance Studies through the lens of display and modern visual art, re-theorizing the exhibition as a dynamic context in which established traditions of display and performance interact.
Examining the artistic, intellectual, and social life of performance, Theatre, Exhibition, and Curation interrogates Theatre and Performance Studies through the lens of display and modern visual art, re-theorizing the exhibition as a dynamic context in which established traditions of display and performance interact.
Produktdetails
Produktdetails
Routledge Advances in Theatre & Performance Studies
Georgina Guy is Lecturer in Theatre and Performance in the Department of Drama, Theatre & Dance at Royal Holloway, University of London.
Inhaltsangabe
List of Illustrations Acknowledgements Introduction: Displaying Performance 1 Performer & Exhibit: Theatrical Conditions 2 Theatre & Gallery: Turning Away from Performance 3 Visitor & Performer: The Return of the Relational 4 Gesture & Object: Digital Display and Arrested Attention Conclusion: Final Movement Primary Curated Exhibition and Performance Sources Bibliography Index
List of Illustrations Acknowledgements Introduction: Displaying Performance 1 Performer & Exhibit: Theatrical Conditions 2 Theatre & Gallery: Turning Away from Performance 3 Visitor & Performer: The Return of the Relational 4 Gesture & Object: Digital Display and Arrested Attention Conclusion: Final Movement Primary Curated Exhibition and Performance Sources Bibliography Index
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