During its fifty year run, Theatre Arts Magazine was a bustling forum for the foremost names in the performing arts, including Stanislavski, Laurence Olivier, Lee Strasberg, John Gielgud and Shelley Winters. Renowned theatre historian Laurence Senelick has plundered its stunning archives to assemble a stellar collection of articles on every aspect of acting and theatrical life.
During its fifty year run, Theatre Arts Magazine was a bustling forum for the foremost names in the performing arts, including Stanislavski, Laurence Olivier, Lee Strasberg, John Gielgud and Shelley Winters. Renowned theatre historian Laurence Senelick has plundered its stunning archives to assemble a stellar collection of articles on every aspect of acting and theatrical life.
Introduction Acting in the American Tradition Acting and the New Stagecraft by Walter Pritchard Eaton The Place of the Actor in the New Movement by Claude King Billets doux by Stark Young Paul Muni: a Profile and a Self-Portrait by Morton Eustis Margaret Sullavan by John Van Druten Comedienne from Radcliffe: Josephine Hull by William Lindsay Gresham Laurette Taylor by Norris Houghton Seven Interviews in Search of Good Acting Off-Broadway by Aimee Scheff That Wonderful Deep Silence by Shelley Winters Shakespeare and the American Actor by John Houseman Geraldine Page the Irony of a Legend by Joseph Carroll Jason Robards Jr by John Keating George C. Scott by Jack Balch Maureen Stapleton by Gilbert Millstein Dear Diary by Hume Cronyn Julie Harris by John Keating The British Legacy A Crux in English Acting by Alastair Cooke Acting in My Time by St. John Irvine An Artist's Apprenticeship by John Gielgud The Gielgud Macbeth by Ashley Dukes John Gielgud by Alan Dent The Actor as Biographer: Wilfred Lawson by Rosamund Gilder Gertrude Lawrence by Theodore Strauss The Oliviers by Sewell Stokes Sir Laurence and Larry by Alan Pryce-Jones Shaw and the Actor: Rex Harrison and SiobhÌÁn McKenna on Their Roles An Actor Stakes His Claim by Cedric Hardwicke Albert Finney by Audrey Williamson Foreign Modes of Performance How Reinhardt Works with His Actors by Gertrud Eysoldt The Month of Duse (excerpts) by Kenneth Macgowan Eleonora Duse by F. Bruno Averardi Giovanni Grasso by Stark Young Mei Lan Fang by Stark Young The Acting of the Abbey Theatre by Andrew J. Stewart The Actor and the Revolution by Pavel Markov Child of Silence by Jean-Louis Barrault Louis Jouvet the Triumph of Deceit by Monroe Stearns Lotte Lenya by David Beams Stanislavsky and His Followers Stanislavsky's Speech to His Players Perspective on Character Building by Konstantin Stanislavsky Fundamentals of Acting by Richard Boleslawski An Actor Prepares: a Comment on Stanislavski's Method by John Gielgud An Actor Prepares: Comments on Stanislavski's Methods by Robert Sherwood Harold Clurman and Norris Houghton The Group Theatre in Its Tenth Year by John Gassner The Actor's Lab by Dwight Thomas and Mary Guion Griepenskerl Past Performance by Lee Strasberg An Actor Must Have 3 Selves by Michael Chekhov A Study of Actors Studio by Maurice Zolotow A Point of View and a Place to Practice by Robert Lewis Wanted: More Stars Less Method by Sherman Ewing The Actor and His Role The Actor Attacks His Part: Lynne Fontanne and Alfred Lunt A Play in the Making: The Lunts Rehearse Amphritryon 38 by Morton Eustis The Actor Attacks His Part: Katherine Cornell The Actor Attacks His Part: Burgess Meredith The Dancing Actor Attacks His Part: Fred Astaire The Singing Actress Attacks Her Part: Lotte Lehman Great Roles Reborn: Bette Davis Tells How Regina the Old Maid and Miss Moffatt Came to the Screen by Roman Bonen Technical Matters The Voice in the Theatre by Stark Young Illusion in Acting by Stark Young The Lazy Actor by John Shand Type-casting the 8th Deadly Sin by Edith Isaacs The Moribund Craft of Acting by Cedric Hardwicke Speak the Speech I Pray You by John Gielgud Notes on Film Acting by Hume Cronyn The Actor as Thinker by Eric Bentley GLOSSARY OF PROPER NAMES
Introduction Acting in the American Tradition Acting and the New Stagecraft by Walter Pritchard Eaton The Place of the Actor in the New Movement by Claude King Billets doux by Stark Young Paul Muni: a Profile and a Self-Portrait by Morton Eustis Margaret Sullavan by John Van Druten Comedienne from Radcliffe: Josephine Hull by William Lindsay Gresham Laurette Taylor by Norris Houghton Seven Interviews in Search of Good Acting Off-Broadway by Aimee Scheff That Wonderful Deep Silence by Shelley Winters Shakespeare and the American Actor by John Houseman Geraldine Page the Irony of a Legend by Joseph Carroll Jason Robards Jr by John Keating George C. Scott by Jack Balch Maureen Stapleton by Gilbert Millstein Dear Diary by Hume Cronyn Julie Harris by John Keating The British Legacy A Crux in English Acting by Alastair Cooke Acting in My Time by St. John Irvine An Artist's Apprenticeship by John Gielgud The Gielgud Macbeth by Ashley Dukes John Gielgud by Alan Dent The Actor as Biographer: Wilfred Lawson by Rosamund Gilder Gertrude Lawrence by Theodore Strauss The Oliviers by Sewell Stokes Sir Laurence and Larry by Alan Pryce-Jones Shaw and the Actor: Rex Harrison and SiobhÌÁn McKenna on Their Roles An Actor Stakes His Claim by Cedric Hardwicke Albert Finney by Audrey Williamson Foreign Modes of Performance How Reinhardt Works with His Actors by Gertrud Eysoldt The Month of Duse (excerpts) by Kenneth Macgowan Eleonora Duse by F. Bruno Averardi Giovanni Grasso by Stark Young Mei Lan Fang by Stark Young The Acting of the Abbey Theatre by Andrew J. Stewart The Actor and the Revolution by Pavel Markov Child of Silence by Jean-Louis Barrault Louis Jouvet the Triumph of Deceit by Monroe Stearns Lotte Lenya by David Beams Stanislavsky and His Followers Stanislavsky's Speech to His Players Perspective on Character Building by Konstantin Stanislavsky Fundamentals of Acting by Richard Boleslawski An Actor Prepares: a Comment on Stanislavski's Method by John Gielgud An Actor Prepares: Comments on Stanislavski's Methods by Robert Sherwood Harold Clurman and Norris Houghton The Group Theatre in Its Tenth Year by John Gassner The Actor's Lab by Dwight Thomas and Mary Guion Griepenskerl Past Performance by Lee Strasberg An Actor Must Have 3 Selves by Michael Chekhov A Study of Actors Studio by Maurice Zolotow A Point of View and a Place to Practice by Robert Lewis Wanted: More Stars Less Method by Sherman Ewing The Actor and His Role The Actor Attacks His Part: Lynne Fontanne and Alfred Lunt A Play in the Making: The Lunts Rehearse Amphritryon 38 by Morton Eustis The Actor Attacks His Part: Katherine Cornell The Actor Attacks His Part: Burgess Meredith The Dancing Actor Attacks His Part: Fred Astaire The Singing Actress Attacks Her Part: Lotte Lehman Great Roles Reborn: Bette Davis Tells How Regina the Old Maid and Miss Moffatt Came to the Screen by Roman Bonen Technical Matters The Voice in the Theatre by Stark Young Illusion in Acting by Stark Young The Lazy Actor by John Shand Type-casting the 8th Deadly Sin by Edith Isaacs The Moribund Craft of Acting by Cedric Hardwicke Speak the Speech I Pray You by John Gielgud Notes on Film Acting by Hume Cronyn The Actor as Thinker by Eric Bentley GLOSSARY OF PROPER NAMES
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