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From the queasy zooms in Alfred Hitchcock’s Vertigo to the avant-garde mystery of Michael Snow’s Wavelength, from the excitement of televised baseball to the drama of the political convention, the zoom shot is instantly recognizable and highly controversial. Nick Hall traces the century-spanning history of the zoom lens in American film and television.  

Produktbeschreibung
From the queasy zooms in Alfred Hitchcock’s Vertigo to the avant-garde mystery of Michael Snow’s Wavelength, from the excitement of televised baseball to the drama of the political convention, the zoom shot is instantly recognizable and highly controversial. Nick Hall traces the century-spanning history of the zoom lens in American film and television.  
Autorenporträt
NICK HALL is a research officer in the Department of Media Arts at Royal Holloway, University of London in the United Kingdom.