
The Witch's Flight
The Cinematic, the Black Femme, and the Image of Common Sense
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			      Contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. The author finds hidden within the histories and logics generated by US-based struggles against racism, sexism, and homophobia, the Black femme's invisible, affective labour.    
   
								 
					 
					 
					 
					 
					 
					 
					 
					 
					