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"Stewart Hellman is a huge fan of The Who with Keith Moon from 1969-1971. He walked 14 miles to see them perform at Woodstock in August 1969. During 1970 and 1971, Stewart stayed overnight outside the Box Office to get the best seats possible for Tanglewood Music Shed at Forest Hills Tennis Stadium Concerts. And he got them, too! Stewart photographed The Who at the Woodstock Music Festival, Fillmore East, Tanglewood Music Shed and Forest Hills Tennis Stadium like no else has captured them on film before during these epic concerts. In addition to that, Stewart personally developed the film into…mehr

Produktbeschreibung
"Stewart Hellman is a huge fan of The Who with Keith Moon from 1969-1971. He walked 14 miles to see them perform at Woodstock in August 1969. During 1970 and 1971, Stewart stayed overnight outside the Box Office to get the best seats possible for Tanglewood Music Shed at Forest Hills Tennis Stadium Concerts. And he got them, too! Stewart photographed The Who at the Woodstock Music Festival, Fillmore East, Tanglewood Music Shed and Forest Hills Tennis Stadium like no else has captured them on film before during these epic concerts. In addition to that, Stewart personally developed the film into negatives (before the digital age) and also created the photographs in a home darkroom. Buying books on The Who his whole life, Stewart has never been satisfied with the pictures used. They never should the greatness of The Who on stage. Surprising, since these photographers always had total access to the band. Stewart has done what others never chose to do. He has captured The Who at their finest moment Onstage from 1969-1971"--
Autorenporträt
Stewart Hellman is a huge fan of The Who with Keith Moon from 1969-1971. He walked 14 miles to see them perform at Woodstock in August 1969. During 1970 and 1971, Stewart photographed The Who at the Woodstock Music Festival, Fillmore East, Tanglewood Music Shed and Forest Hills Tennis Stadium using a Beseler Topcon Super-D 35mm single-lens reflex camera with 36 exposure film and a 135mm telephoto lens for closeups. Stewart personally developed the film in a home darkroom.