Andere Kunden interessierten sich auch für
![The NPR Classical Music Companion]( "The NPR Classical Music Companion")
The NPR Classical Music Companion17,99 €![Everything I Need to Know About Business I Learned from Hip-Hop: A Millennial's Guide to Making Bank]( "Everything I Need to Know About Business I Learned from Hip-Hop: A Millennial's Guide to Making Bank")
Everything I Need to Know About Business I Learned from Hip-Hop: A Millennial's Guide to Making Bank21,99 €![The Reinvention of Religious Music]( "The Reinvention of Religious Music")
The Reinvention of Religious Music39,99 €![The Viennese Ballroom in the Age of Beethoven]( "The Viennese Ballroom in the Age of Beethoven")
The Viennese Ballroom in the Age of Beethoven93,99 €![The Present State of Music in Germany, The Netherlands, and United Provinces. [Two vols in one book. Facsimile of the first edition, 1773.]]( "The Present State of Music in Germany, The Netherlands, and United Provinces. [Two vols in one book. Facsimile of the first edition, 1773.]")
The Present State of Music in Germany, The Netherlands, and United Provinces. [Two vols in one book. Facsimile of the first edition, 1773.]33,99 €![The Politicized Muse]( "The Politicized Muse")
The Politicized Muse88,99 €![Mephisto Waltz No.2 S.515 - For Solo Piano (1881)]( "Mephisto Waltz No.2 S.515 - For Solo Piano (1881)")
Mephisto Waltz No.2 S.515 - For Solo Piano (1881)17,99 €
![The Present State of Music in Germany, The Netherlands, and United Provinces. [Two vols in one book. Facsimile of the first edition, 1773.]](https://bilder.buecher.de/produkte/25/25513/25513728m.jpg "The Present State of Music in Germany, The Netherlands, and United Provinces. [Two vols in one book. Facsimile of the first edition, 1773.]")
Satiricized by Strauss II to highlight the deceptive aristocratic class, under Schoenberg, Mahler, and Webern's pens the waltz became the pivot between the conscious and unconscious, forcing a paralytic "second state" analogous with the stagnation of the Habsburg Empire. The Viennese Waltz shows how, between 1864 - 1928, the waltz altered from signifier of upper-class artificeto the link between man and nature and between Viennese and "Other." Hood wields the Freudian concepts of the uncanny and the doppelgänger to explain this revolution from the simple signification of a dance to the psychological anxiety of a subject's place in society.