Erica Buurman is Assistant Professor of Music at San José State University and Director of the Ira F. Brilliant Center for Beethoven Studies. Her research focuses on music of the late-eighteenth and early-nineteenth centuries, especially Beethoven, and social dance.
Inhaltsangabe
Introduction 1. The public ball in Viennese musical life, 1770¿1830 2. Early waltz dances of the Viennese ballroom: transmission and transformation in eighteenth-century music and dance 3. The minuet: performing aristocracy in the Viennese ballroom 4. The contredanse: participation and spectatorship in the public ballroom 5. Dance arrangements from the Viennese stage 6. Battle waltzes: programmatic music in the ballroom 7. The Congress dances': the Viennese public ball and court-sponsored festivities at the Congress of Vienna Epilogue Appendix: Selected original musical sources consulted Bibliography.
Introduction 1. The public ball in Viennese musical life, 1770¿1830 2. Early waltz dances of the Viennese ballroom: transmission and transformation in eighteenth-century music and dance 3. The minuet: performing aristocracy in the Viennese ballroom 4. The contredanse: participation and spectatorship in the public ballroom 5. Dance arrangements from the Viennese stage 6. Battle waltzes: programmatic music in the ballroom 7. The Congress dances': the Viennese public ball and court-sponsored festivities at the Congress of Vienna Epilogue Appendix: Selected original musical sources consulted Bibliography.
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