An anthology that explores film works by the "urban generation,"--filmmakers who operate outside of "mainstream" (officially sanctioned) Chinese cinema -- whose impact has been enormous.
An anthology that explores film works by the "urban generation,"--filmmakers who operate outside of "mainstream" (officially sanctioned) Chinese cinema -- whose impact has been enormous.
Zhang Zhen is Associate Professor of Cinema Studies at New York University. She is the author of An Amorous History of the Silver Screen: Shanghai Cinema, 1896–1937.
Inhaltsangabe
Acknowledgments ix Introduction: Bearing Witness: Chinese Urban Cinema in the Era of “Transformation” (Zhuanxing) / Zhang Zhen 1 I. Ideology, Film Practice, and the Market Rebel without a Cause? China’s New Urban Generation and Postsocialist Filmmaking / Yingjin Zhang 49 The Independent Cinema of Jia Zhangke: From Postsocialist Realism to a Transnational Aesthetic / Jason McGrath 81 Getting Real: Chinese Documentary, Chinese Postsocialism / Chris Berry 115 II. The Politics and Poetics of Urban Space Tear down the City: Reconstructing Urban Space in Contemporary Chinese Popular Cinema and Avant-Garde Art / Sheldon H. Lu 137 Tracing the City’s Scars: Demolition and the Limits of the Documentary Impulse in the New Urban Cinema / Yomi Braester 161 Scaling the Skyscraper: Images of Cosmopolitan Consumption in Street Angel (1937) and Beautiful New World (1998) / Augusta Palmer 181 Whither the Walker Goes: Spatial Practices and Negative Poetics in 1990s Chinese Urban Cinema / Linda Chiu-Han Lai 205 III. The Production of Desire and Identities Ning Ying’s Beijing Trilogy: Cinematic Configurations of Age, Class, and Sexuality / Shuqin Cui 241 Zhang Yuan’s Imaginary Cities and the Theatricalization of the Chinese “Bastards” / Bérénice Reynaud 264 Mr. Zhao On and Off the Screen: Male Desire and Its Discontent / Xueping Zhong 295 Maintaining Law and Order in the City: New Tales of the People’s Police / Yaohua Shi 316 Urban Dreamscape, Phantom Sisters, and the Identity of an Emergent Art Cinema / Zhang Zhen 344 Appendix: The Urban Generation Filmmakers (compiled by Charles Leary) 389 Bibliography 411 Contributors 429 Index 431
Acknowledgments ix Introduction: Bearing Witness: Chinese Urban Cinema in the Era of “Transformation” (Zhuanxing) / Zhang Zhen 1 I. Ideology, Film Practice, and the Market Rebel without a Cause? China’s New Urban Generation and Postsocialist Filmmaking / Yingjin Zhang 49 The Independent Cinema of Jia Zhangke: From Postsocialist Realism to a Transnational Aesthetic / Jason McGrath 81 Getting Real: Chinese Documentary, Chinese Postsocialism / Chris Berry 115 II. The Politics and Poetics of Urban Space Tear down the City: Reconstructing Urban Space in Contemporary Chinese Popular Cinema and Avant-Garde Art / Sheldon H. Lu 137 Tracing the City’s Scars: Demolition and the Limits of the Documentary Impulse in the New Urban Cinema / Yomi Braester 161 Scaling the Skyscraper: Images of Cosmopolitan Consumption in Street Angel (1937) and Beautiful New World (1998) / Augusta Palmer 181 Whither the Walker Goes: Spatial Practices and Negative Poetics in 1990s Chinese Urban Cinema / Linda Chiu-Han Lai 205 III. The Production of Desire and Identities Ning Ying’s Beijing Trilogy: Cinematic Configurations of Age, Class, and Sexuality / Shuqin Cui 241 Zhang Yuan’s Imaginary Cities and the Theatricalization of the Chinese “Bastards” / Bérénice Reynaud 264 Mr. Zhao On and Off the Screen: Male Desire and Its Discontent / Xueping Zhong 295 Maintaining Law and Order in the City: New Tales of the People’s Police / Yaohua Shi 316 Urban Dreamscape, Phantom Sisters, and the Identity of an Emergent Art Cinema / Zhang Zhen 344 Appendix: The Urban Generation Filmmakers (compiled by Charles Leary) 389 Bibliography 411 Contributors 429 Index 431
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