An outstanding group of international Shelley scholars takes full advantage of new editions and the evidence of notebooks, paying particular attention to texts that have been neglected or underestimated. Revaluations of the verse letter, plays, satire, pamphlets, prose essays, political verse, romance, prefaces, translations, art representations,
An outstanding group of international Shelley scholars takes full advantage of new editions and the evidence of notebooks, paying particular attention to texts that have been neglected or underestimated. Revaluations of the verse letter, plays, satire, pamphlets, prose essays, political verse, romance, prefaces, translations, art representations,
Alan M. Weinberg is Professor of English Studies at the University of South Africa, RSA. Timothy Webb is Senior Research Fellow at the University of Bristol, UK where, until recently, he was Winterstoke Professor.
Inhaltsangabe
Contents: Introduction Timothy Webb and Alan M. Weinberg. Poetry: Reading as flight: fragment poems from Shelley's notebooks Michael Bradshaw; 'The casket of my unknown mind': the 1813 volume of minor poems David Duff; Happily ever after? The necessity of fairytale in Queen Mab Christopher R. Miller; Laon and the hermit: connection and succession Jack Donovan; 'Peter Bell the Third' contempt and poetic transfiguration Stephen C. Behrendt; Scratching at the door of absence: writing and reading 'Letter to Maria Gisborne' Timothy Webb; Shelley's Neapolitan-Tuscan poetics: 'Sonnet: Political Greatness' and the 'Republic' of Benevento Michael Rossington. Art: Shelleyan inspiration and the sister arts Nancy Moore Goslee. Prose: Noises on: the communicative strategies of Shelley's Prefaces Hugh Roberts; Contemplating facts studying ourselves: aspects of Shelley's philosophical and religious prose Merle A. Williams; A place to stand: questions of address in Shelley's political pamphlets Martin Priestman; Emulating Plato: Shelley as translator and prose poet Michael O'Neill; 'These catchers of men': imposture and its unmasking in 'A Philosophical View of Reform' Alan M. Weinberg. Drama: Porcine poetics: Shelley's Swellfoot the Tyrant Timothy Morton; Shelley's late fragmentary plays: 'Charles the First' and the 'Unfinished Drama' Nora Crook; Afterword: Tracking Shelley Donald H. Reiman; Bibliography; Index.
Contents: Introduction Timothy Webb and Alan M. Weinberg. Poetry: Reading as flight: fragment poems from Shelley's notebooks Michael Bradshaw; 'The casket of my unknown mind': the 1813 volume of minor poems David Duff; Happily ever after? The necessity of fairytale in Queen Mab Christopher R. Miller; Laon and the hermit: connection and succession Jack Donovan; 'Peter Bell the Third' contempt and poetic transfiguration Stephen C. Behrendt; Scratching at the door of absence: writing and reading 'Letter to Maria Gisborne' Timothy Webb; Shelley's Neapolitan-Tuscan poetics: 'Sonnet: Political Greatness' and the 'Republic' of Benevento Michael Rossington. Art: Shelleyan inspiration and the sister arts Nancy Moore Goslee. Prose: Noises on: the communicative strategies of Shelley's Prefaces Hugh Roberts; Contemplating facts studying ourselves: aspects of Shelley's philosophical and religious prose Merle A. Williams; A place to stand: questions of address in Shelley's political pamphlets Martin Priestman; Emulating Plato: Shelley as translator and prose poet Michael O'Neill; 'These catchers of men': imposture and its unmasking in 'A Philosophical View of Reform' Alan M. Weinberg. Drama: Porcine poetics: Shelley's Swellfoot the Tyrant Timothy Morton; Shelley's late fragmentary plays: 'Charles the First' and the 'Unfinished Drama' Nora Crook; Afterword: Tracking Shelley Donald H. Reiman; Bibliography; Index.
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