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Literary professors, and academia in general, have a history of turning a blind eye against popular fiction but why? The Ulysses Delusion explores this question by linking this literary condescension to a wider discussion on the gendered history of reading novels. Topics include Oprah's Book Club, Harry Potter, and Chick Lit.
Popular fiction follows literature professors wherever they go. At coffee shops or out for drinks, after faculty meetings or classes, even at family reunions - they are persistently pressed to talk about bestselling novels. Questions immediately follow: What do I mean when I say a book is "good"? Why do contemporary novels like these, conversations like these, matter to professors of literature? Shouldn't they be spending their time re-reading The Great Gatsby? The Ulysses Delusion confronts these questions and answers their call for more engaged conversations about books. Through topics like the Oprah's Book Club, Harry Potter, and Chick Lit, Cecilia Konchar Farr explores the lively, democratic, and gendered history of novels in the US as a context for understanding how avid readers and literary professionals have come to assess them so differently.
Popular fiction follows literature professors wherever they go. At coffee shops or out for drinks, after faculty meetings or classes, even at family reunions - they are persistently pressed to talk about bestselling novels. Questions immediately follow: What do I mean when I say a book is "good"? Why do contemporary novels like these, conversations like these, matter to professors of literature? Shouldn't they be spending their time re-reading The Great Gatsby? The Ulysses Delusion confronts these questions and answers their call for more engaged conversations about books. Through topics like the Oprah's Book Club, Harry Potter, and Chick Lit, Cecilia Konchar Farr explores the lively, democratic, and gendered history of novels in the US as a context for understanding how avid readers and literary professionals have come to assess them so differently.
"The author provides her readers with a new set of guidelines for judging literary works, specifically novels. ... The 'Ulysses' Delusion is an ideal model of clear, thoughtful, balanced, witty, and well-written criticism-something I find in extremely short supply these days. ... Konchar Farr's own writing succeeds admirably. This book really is a page-turner." (Mallory Young, TSWL Tulsa Studies in Women's Literatur, Vol. 38 (2), 2019)
"The Ulysses Delusion is an engaging discussion of the contemporary literary marketplace and the tastemakers who have framed discussions of literary quality and served as the gatekeepers to popular success in the late twentieth and early twenty first centuries. Konchar Farr's unapologetic championing of the accessible is both ideologically resonant with her thesis and admirable-she has truly produced a popular literary criticism that is both rigorous and readable." - Amy L. Blair, Associate Professor of English at Marquette University, USA and author of Reading Up: Middle-Class Readers and the Culture of Success in the Early Twentieth-Century United States
"The Ulysses Delusion is an engaging discussion of the contemporary literary marketplace and the tastemakers who have framed discussions of literary quality and served as the gatekeepers to popular success in the late twentieth and early twenty first centuries. Konchar Farr's unapologetic championing of the accessible is both ideologically resonant with her thesis and admirable-she has truly produced a popular literary criticism that is both rigorous and readable." - Amy L. Blair, Associate Professor of English at Marquette University, USA and author of Reading Up: Middle-Class Readers and the Culture of Success in the Early Twentieth-Century United States