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Bursting with imagination, THE TWELVE LIVES OF SAMUEL HAWLEY by Hannah Tinti has been described as 'One part Quentin Tarantino, one part Scheherazade' (Ann Patchett) and will appeal to fans of the Coen Brothers' True Grit or Emma Cline's The Girls.
Hero. Villain. Father...
After years spent living on the run, Samuel Hawley and his daughter Loo finally settle in Olympus, Massachusetts. Hawley takes up fishing, while Loo struggles with friendship and first love, and tries to piece together the puzzle surrounding her mother's death. Haunting them both are the twelve scars Hawley carries on…mehr

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Produktbeschreibung
Bursting with imagination, THE TWELVE LIVES OF SAMUEL HAWLEY by Hannah Tinti has been described as 'One part Quentin Tarantino, one part Scheherazade' (Ann Patchett) and will appeal to fans of the Coen Brothers' True Grit or Emma Cline's The Girls.

Hero. Villain. Father...

After years spent living on the run, Samuel Hawley and his daughter Loo finally settle in Olympus, Massachusetts. Hawley takes up fishing, while Loo struggles with friendship and first love, and tries to piece together the puzzle surrounding her mother's death. Haunting them both are the twelve scars Hawley carries on his body, from twelve bullets in his criminal past - a past that is about to spill over into Loo's present, with explosive consequences.
Autorenporträt
Hannah Tinti is the author of the short story collection ANIMAL CRACKERS and co-founder and editor in chief of One Story magazine. Her first novel, THE GOOD THIEF, was a New York Times Notable Book of the Year, and winner of the Centre for Fiction's First Novel Prize and a recipient of the American Library Association's Alex Award.
Rezensionen
[We are] carried by Tinti's seductive prose. She has a deep feeling for the passage of time and its effect on character. And when it's appropriate, she can use her vivid language to express the ripping depth of human pain. As this strikingly symphonic novel enters its last movement, the final bars remind us that all of the painful wounds that humans can endure, the worse are self-inflicted. New York Times Book Review