Traces two intersecting trajectories in American art. It shows how rights-based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower-case 'c'). -- .
Traces two intersecting trajectories in American art. It shows how rights-based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower-case 'c'). -- .
Nizan Shaked is Associate Professor of Contemporary Art History, Museum and Curatorial Studies at California State University, Long Beach
Inhaltsangabe
Introduction 1. Conceptual Art and identity politics: from the 1960s to the 1990s 2. Adrian Piper: the body after conceptualism 3. The synthetic proposition: conceptualism as political art 4. The political referent in debate: identity, difference, representation 5. Institutional gender: from Hans Haackes Systems Theory to Andrea Frasers feminist economies A state of passionate detachment: Charles Gaines by way of conclusion Index
Introduction 1. Conceptual Art and identity politics: from the 1960s to the 1990s 2. Adrian Piper: the body after conceptualism 3. The synthetic proposition: conceptualism as political art 4. The political referent in debate: identity, difference, representation 5. Institutional gender: from Hans Haackes Systems Theory to Andrea Frasers feminist economies A state of passionate detachment: Charles Gaines by way of conclusion Index
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