This is the first study of a neglected genre and has four aims: firstly, to show the development of symphonic composition in Australia from Federation to 1960; secondly to highlight the achievement of the main composers who wrote symphonies; thirdly, to advocate the restoration and revival of this repertory; and, lastly, to take a step towards a recasting of the narrative of Australian concert music from Federation to the present. In particular, symphonies by Marshall-Hall, Hart, Bainton, Hughes, Le Gallienne and Morgan emerge as works of particular significance.
This is the first study of a neglected genre and has four aims: firstly, to show the development of symphonic composition in Australia from Federation to 1960; secondly to highlight the achievement of the main composers who wrote symphonies; thirdly, to advocate the restoration and revival of this repertory; and, lastly, to take a step towards a recasting of the narrative of Australian concert music from Federation to the present. In particular, symphonies by Marshall-Hall, Hart, Bainton, Hughes, Le Gallienne and Morgan emerge as works of particular significance.
Rhoderick McNeill completed his PhD on the life and works of E.J. Moeran at the University of Melbourne, Australia. He taught music theory and history at Nommensen University, Medan, Indonesia and, since 1996, at the University of Southern Queensland, Australia. His two-volume history of Western music in Indonesian, Sejarah Musik, has been in print continuously since 1998.
Inhaltsangabe
Contents: Preface Introduction The symphony within international music trends 1900-60 The Australian musical environment for symphonic composition Australian pioneers of the Federation period Symphonies of the 1920s and 1930s Australian symphonies 1940-60 in late Romantic and post-Impressionist styles Nationalist symphonies of the 1950s Neo-classic and 'progressive' symphonies of the 1950s Australian expatriate symphonies The aftermath: the 1960s and conclusions Select bibliography Index.
Contents: Preface Introduction The symphony within international music trends 1900-60 The Australian musical environment for symphonic composition Australian pioneers of the Federation period Symphonies of the 1920s and 1930s Australian symphonies 1940-60 in late Romantic and post-Impressionist styles Nationalist symphonies of the 1950s Neo-classic and 'progressive' symphonies of the 1950s Australian expatriate symphonies The aftermath: the 1960s and conclusions Select bibliography Index.
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