'The essays, gathered from various and sometimes surprising sources by Carol Becker, are not only stimulating in themselves but serve as guides to a sector of contemporary artistic activity many find perplexing and many more find troubling. The works conceived of in the spirit of these texts not only challenge how we are to think about art, but how we are to respond to the social questions art addresses, sometimes vehemently. For the art is not only political in intention, but subversive in its means.
'The essays, gathered from various and sometimes surprising sources by Carol Becker, are not only stimulating in themselves but serve as guides to a sector of contemporary artistic activity many find perplexing and many more find troubling. The works conceived of in the spirit of these texts not only challenge how we are to think about art, but how we are to respond to the social questions art addresses, sometimes vehemently. For the art is not only political in intention, but subversive in its means.
Part one Personal Responsibility and Political Contingencies Chapter 1 The Prehistory of Art, Page duBois Chapter 2 A Pled for Irresponsibility, Ewa Kuryluk Chapter 3 Dead Doll Prophecy, Kathy Acker Chapter 4 The Heuristic Power of Art, Elizam Escobar Chapter 5 Place, Position, Power, Politics, Martha Rosler Chapter 6 The Velvet Revolution and Iron Necessity, Eva Hauser Chapter 7 El Diario de Miranda/Miranda's Diary, Coco Fusco Part two Decolinizing the Imagination Chapter 8 Herbert Marcuse and the Subversive Potential of Art, Carol Becker Chapter 9 East and West-The Twain do Meet A Tale of More than Two Worlds, Felipe Ehrenberg Chapter 10 Defining South African Literature for a New Nation, Njabulo S. Ndebele Chapter 11 The Politics of Black Masculinity and the Ghetto in Black Film, Michael Eric Dyson Chapter 12 Adjusting to the World According to Salman Rushdie, Ahmad Sadri Part three Theorizing the Future Chapter 13 Benetton's "World without Borders", Henry A. Giroux Chapter 14 The Free Art Agreement/El Tratado de Libre Cultura, Guillermo Gómez-Peña Chapter 15 Dissed and Disconnected, B. Ruby Rich
Part one Personal Responsibility and Political Contingencies Chapter 1 The Prehistory of Art, Page duBois Chapter 2 A Pled for Irresponsibility, Ewa Kuryluk Chapter 3 Dead Doll Prophecy, Kathy Acker Chapter 4 The Heuristic Power of Art, Elizam Escobar Chapter 5 Place, Position, Power, Politics, Martha Rosler Chapter 6 The Velvet Revolution and Iron Necessity, Eva Hauser Chapter 7 El Diario de Miranda/Miranda's Diary, Coco Fusco Part two Decolinizing the Imagination Chapter 8 Herbert Marcuse and the Subversive Potential of Art, Carol Becker Chapter 9 East and West-The Twain do Meet A Tale of More than Two Worlds, Felipe Ehrenberg Chapter 10 Defining South African Literature for a New Nation, Njabulo S. Ndebele Chapter 11 The Politics of Black Masculinity and the Ghetto in Black Film, Michael Eric Dyson Chapter 12 Adjusting to the World According to Salman Rushdie, Ahmad Sadri Part three Theorizing the Future Chapter 13 Benetton's "World without Borders", Henry A. Giroux Chapter 14 The Free Art Agreement/El Tratado de Libre Cultura, Guillermo Gómez-Peña Chapter 15 Dissed and Disconnected, B. Ruby Rich
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