Erik Gunderson reads Seneca's philosophy and tragedy together, exploring the possibility of enlightenment and the human capacity for wisdom and knowledge.
Erik Gunderson reads Seneca's philosophy and tragedy together, exploring the possibility of enlightenment and the human capacity for wisdom and knowledge.
Erik Gunderson is Professor of Classics at the University of Toronto. He is the author of four other scholarly monographs: Laughing Awry: Plautus and Tragicomedy (2014); Nox Philologiae: Aulus Gellius and the Fantasy of the Ancient Library (2009); Declamation, Paternity and Roman Identity: Authority and the Rhetorical Self (2003); and Staging Masculinity: The Rhetoric of Performance in the Roman World (2000). He is also the editor of The Cambridge Companion to Ancient Rhetoric (2009). His work spans languages, genres and eras, and he consistently brings to bear modern critical perspectives when exploring the ancient world.
Inhaltsangabe
Introduction 1. Misreading Seneca 2. Writing metaphysics 3. The nature of Seneca 4. The spectacle of ethics 5. Losing Seneca 6. The analytics of desire 7. The last monster Conclusion: the metaphysics of Senecan morals.
Introduction 1. Misreading Seneca 2. Writing metaphysics 3. The nature of Seneca 4. The spectacle of ethics 5. Losing Seneca 6. The analytics of desire 7. The last monster Conclusion: the metaphysics of Senecan morals.
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