Andere Kunden interessierten sich auch für
![The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries]( "The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries")
The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries74,99 €![Eighteenth-Century Keyboard Music]( "Eighteenth-Century Keyboard Music")
Eighteenth-Century Keyboard Music76,99 €![The Keyboard in Baroque Europe]( "The Keyboard in Baroque Europe")
The Keyboard in Baroque Europe48,99 €![The Organ and Its Music in German-Jewish Culture]( "The Organ and Its Music in German-Jewish Culture")
The Organ and Its Music in German-Jewish Culture48,99 €![The Baroque Clarinet and Chalumeau]( "The Baroque Clarinet and Chalumeau")
The Baroque Clarinet and Chalumeau65,99 €![The Monarch of the North Magazine and Guide Book of Quebec]( "The Monarch of the North Magazine and Guide Book of Quebec")
The Monarch of the North Magazine and Guide Book of Quebec17,99 €![The Tangible in Music]( "The Tangible in Music")
The Tangible in Music52,99 €
Exploring both the theoretical background of stylus phantasticus (or "fantastic style") and its application by composers and performers, Paul Collins surveys the development of Athanasius Kircher's original concept and its influence, and highlights the intriguing relationship between composition and performance, the concept of fantasy, and the understanding of originality and individuality in seventeenth-century culture.