"The Story of "Me" shows that the burgeoning of autofiction serves as a barometer of American literature from modernist authorial effacement to postmodern literary self-consciousness" --
"The Story of "Me" shows that the burgeoning of autofiction serves as a barometer of American literature from modernist authorial effacement to postmodern literary self-consciousness" --
Marjorie Worthington is a professor of English and in the Women’s, Gender, and Sexuality Studies Program at Eastern Illinois University.
Inhaltsangabe
Contents Acknowledgments Introduction 1. Masculinity Whiteness and Postmodern Self-Consciousness: Vladimir Nabokov John Barth Kurt Vonnegut and Richard Powers 2. Rage against the Dying of the Author: Philip Roth Arthur Phillips Ruth Ozeki Salvador Plascencia and Percival Everett 3. The New Journalism as the New Fiction: Tom Wolfe Norman Mailer Hunter S. Thompson Joan Didion Mark Leyner and Bret Easton Ellis 4. Trauma Autofiction Dissociation and the Authenticity of “Real” Experience: Kurt Vonnegut Raymond Federman Tim O’Brien and Jonathan Safran Foer 5. Memoir vs. Autofiction as the Story of Me vs. the Story of “Me”: Philip Roth Richard Powers Bret Easton Ellis and Ron Currie Jr. Coda Appendix: American Autofictions Notes References Index
Contents Acknowledgments Introduction 1. Masculinity Whiteness and Postmodern Self-Consciousness: Vladimir Nabokov John Barth Kurt Vonnegut and Richard Powers 2. Rage against the Dying of the Author: Philip Roth Arthur Phillips Ruth Ozeki Salvador Plascencia and Percival Everett 3. The New Journalism as the New Fiction: Tom Wolfe Norman Mailer Hunter S. Thompson Joan Didion Mark Leyner and Bret Easton Ellis 4. Trauma Autofiction Dissociation and the Authenticity of “Real” Experience: Kurt Vonnegut Raymond Federman Tim O’Brien and Jonathan Safran Foer 5. Memoir vs. Autofiction as the Story of Me vs. the Story of “Me”: Philip Roth Richard Powers Bret Easton Ellis and Ron Currie Jr. Coda Appendix: American Autofictions Notes References Index
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