Min Tian has taught as an Associate Professor at the China Central Academy of Drama and currently works at the University of Iowa, USA.
Inhaltsangabe
Acknowledgements Introduction Chapter 1: The Legitimation of Tradition and the Construction of an Intercultural Myth - Mei Lanfang Remembers Stanislavsky Chapter 2: The Refraction of Tradition - Meyerhold's and Stanislavsky's Approaches to Pushkin and Meyerhold's Pushkinization of Mei Lanfang's Art Chapter 3: The Consecration of Tradition - Eisenstein's Approach to Chinese Theatre and Culture Chapter 4: The Uncanny Quotability of Tradition: Walter Benjamin's Interest in Chinese Cultural Traditions Chapter 5: The Fabrication of Tradition - Lady Precious Stream, a Chinese Chinoiserie Anglicized on Modern British Stage Chapter 6: The Reification of Tradition - Meyerhold's Influence on Twentieth-Century Japanese and Chinese Theatres Conclusion Bibliography Index
Acknowledgements Introduction Chapter 1: The Legitimation of Tradition and the Construction of an Intercultural Myth - Mei Lanfang Remembers Stanislavsky Chapter 2: The Refraction of Tradition - Meyerhold's and Stanislavsky's Approaches to Pushkin and Meyerhold's Pushkinization of Mei Lanfang's Art Chapter 3: The Consecration of Tradition - Eisenstein's Approach to Chinese Theatre and Culture Chapter 4: The Uncanny Quotability of Tradition: Walter Benjamin's Interest in Chinese Cultural Traditions Chapter 5: The Fabrication of Tradition - Lady Precious Stream, a Chinese Chinoiserie Anglicized on Modern British Stage Chapter 6: The Reification of Tradition - Meyerhold's Influence on Twentieth-Century Japanese and Chinese Theatres Conclusion Bibliography Index
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