Andere Kunden interessierten sich auch für
![The Spectacle of Politics and Religion in the Contemporary Turkish Cinema]( "The Spectacle of Politics and Religion in the Contemporary Turkish Cinema")
The Spectacle of Politics and Religion in the Contemporary Turkish Cinema37,99 €![Post-Unification Turkish German Cinema]( "Post-Unification Turkish German Cinema")
Post-Unification Turkish German Cinema48,99 €![The Church on British Television]( "The Church on British Television")
The Church on British Television37,99 €![The Church on British Television]( "The Church on British Television")
The Church on British Television37,99 €![European Cinema in the Twenty-First Century]( "European Cinema in the Twenty-First Century")
European Cinema in the Twenty-First Century30,99 €![Jean-Luc Godard¿s Political Filmmaking]( "Jean-Luc Godard¿s Political Filmmaking")
Jean-Luc Godard¿s Political Filmmaking88,99 €![Mapping Precarity in Contemporary Cinema and Television]( "Mapping Precarity in Contemporary Cinema and Television")
Mapping Precarity in Contemporary Cinema and Television81,99 €
This book explores how politics, religion and cinema encounter and re-invent each other in contemporary Turkish cinema. It investigates their common origin-the spectacle, which each field views as an instrument of governmentality. The book analyses six recent, some of which are internationally known Turkish films: The Messenger (Ulak), A Man's Fear of God (Takva), Let's Sin (Itirazim Var), SixtyOne Days (Iftarlik Gazoz), The Imam and The Shadowless (Gölgesizler). Thwaites discusses how the cinematic nature of politics and religion unfold amidst the increasing media visibility of religion in contemporary Turkey. The chapters explore the relationship between art and religion, and compare religion and philosophy in their relation to truth, belief, and economy. Through close examination of these films, the author highlights the role of cinema in contemporary Turkey and at the heart of the religious paradigm.