Wes Folkerth is an Assistant Professor of English at McGill University.
Inhaltsangabe
General Editor's Preface Acknowledgements Introduction: Something of the Ripe Old Sounds The Shakespearean Sounsdcape 1. Shakespearience: Culture and Soundxtuality Sounding Out Deep Subjectivity 2. The Public Ear: The Public Ear in Antony and Cleopatra The Doctrine is Sound One of the Subtilist Pieces of Nature An Explication of Certain Hard Problems about the Ears And This is the True Manner of Hearing 3. Receptivity: Hearing in Shakespearean Cognition The Receptive Ear in Coriolanus 4. Transformation and Continuity: Woordes with the Ground A Reasonable Good Ear in A Midsummer Night's Dream The Grotesque Ear Sound Economics: Excess, Surfeit, Stealing, Giving 5. Shakespearean Acoustemologies: The Greedy Ear in Othello The Willing Ear in Measure for Measure Then Play On Notes Bibliography Index
General Editor's Preface Acknowledgements Introduction: Something of the Ripe Old Sounds The Shakespearean Sounsdcape 1. Shakespearience: Culture and Soundxtuality Sounding Out Deep Subjectivity 2. The Public Ear: The Public Ear in Antony and Cleopatra The Doctrine is Sound One of the Subtilist Pieces of Nature An Explication of Certain Hard Problems about the Ears And This is the True Manner of Hearing 3. Receptivity: Hearing in Shakespearean Cognition The Receptive Ear in Coriolanus 4. Transformation and Continuity: Woordes with the Ground A Reasonable Good Ear in A Midsummer Night's Dream The Grotesque Ear Sound Economics: Excess, Surfeit, Stealing, Giving 5. Shakespearean Acoustemologies: The Greedy Ear in Othello The Willing Ear in Measure for Measure Then Play On Notes Bibliography Index
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