Using methods from critical discourse analysis, this book examines recorded performances of songs from Mitchell's first nine studio albums, and the contemporary reviews of these albums in Anglo-American rock magazines.
Using methods from critical discourse analysis, this book examines recorded performances of songs from Mitchell's first nine studio albums, and the contemporary reviews of these albums in Anglo-American rock magazines.
Anne Karppinen is a university teacher, translator and musician. She earned her MA in English and her PhD in Contemporary Culture from the University of Jyväskylä, Finland. She teaches English at The Open University of the University of Jyväskylä, Finland.
Inhaltsangabe
Introduction Part 1 1. Sexual Difference, Texts and Discourses 2. Will you take me as I am? Subjectivity, Autobiography and Authorship 3. Women in Rock and Other Oxymorons Part 2 4. The Early Period (1968-1970) 5. The Self-Conscious Period (1971-1974) 6. The Socially Conscious Period (1975-1977) Part 3 7. A Soprano Has No Credibility? Joni Mitchell and the Rock Press 8. The Singer-Songwriter and the Making of the Canon Conclusion Appendix: Tunings. Bibliography Index
Introduction Part 1 1. Sexual Difference, Texts and Discourses 2. Will you take me as I am? Subjectivity, Autobiography and Authorship 3. Women in Rock and Other Oxymorons Part 2 4. The Early Period (1968-1970) 5. The Self-Conscious Period (1971-1974) 6. The Socially Conscious Period (1975-1977) Part 3 7. A Soprano Has No Credibility? Joni Mitchell and the Rock Press 8. The Singer-Songwriter and the Making of the Canon Conclusion Appendix: Tunings. Bibliography Index
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