While Jesus has been a star attraction at the cinema since the epics of the 1950s, it is often forgotten that between the advent of motion pictures in the 1890s and the close of the 'silent' era at the end of the 1920s, some of the longest, most expensive, and most popular films on both sides of the Atlantic were focused on the Life and Passion of the Christ. Drawing upon rarely seen archival footage and the work of the era's most important directors, such as Alice Guy, Ferdinand Zecca, Sidney Olcott, D.W. Griffith, and C.B. DeMille, this volume offers a representative survey of the Silents of…mehr
While Jesus has been a star attraction at the cinema since the epics of the 1950s, it is often forgotten that between the advent of motion pictures in the 1890s and the close of the 'silent' era at the end of the 1920s, some of the longest, most expensive, and most popular films on both sides of the Atlantic were focused on the Life and Passion of the Christ. Drawing upon rarely seen archival footage and the work of the era's most important directors, such as Alice Guy, Ferdinand Zecca, Sidney Olcott, D.W. Griffith, and C.B. DeMille, this volume offers a representative survey of the Silents of Jesus, illustrating the ways in which a host of cinematic Saviors not only shaped the cinema, but were shaped by it. Featuring essays written by leading scholars in biblical and early film studies using a variety of approaches, this collection offers a seminal treatment of the genesis and evolution of the cinematic Jesus.
David J. Shepherd is Lecturer in the School of Religions, Peace Studies and Theology at Trinity College Dublin.
Inhaltsangabe
Introduction David J. Shepherd 1. The Passion of the Christ: a form, a genre, a discourse André Gaudreault 2. La Vie et Passion de Jésus Christ (Pathé-Frères, 1902-1905): Tableau Variation in the Early Cinema Valentine Robert and Alain Boillat 3. La naissance, vie et passion du Christ (Gaumont, 1906): The Gospel According to Alice Guy David J. Shepherd 4. La Vie et Passion de Notre Seigneur Jésus Christ (Pathé-Frères, 1907): The Preservation and Transformation of Zecca's Passion Dwight H. Friesen 5. Sidney Olcott's From the Manger to the Cross (Kalem, 1912): Out of Egypt and Palestine W. Barnes Tatum 6. The Star of Bethlehem (Thanhouser, 1912): The Sacred Story from King Herod to the Crip Terry Lindvall 7. The Shadow of Nazareth (Venus Features/Warner Features, 1913): The Hermeneutics of an Unauthorized Adaptation Rhonda Burnette-Bletsch 8. La Vie et Passion de Notre Seigneur Jésus Christ (Pathé-Frères 1913/24): Pathé's Inclination to Tell and Maître's Instinct to Show Jo-Ann Brant 9. The Birth of a Nation (D.W. Griffith, 1915) and Intolerance (Triangle/Wark 1916): Griffith's Talismanic Jesus Richard Walsh 10. Christus (CINES, 1916): Italy's First Religious "Kolossal" by Antamoro and Salvatori Giuseppe Pucci 11. Der Galiläer (Express-Film, 1921) and I.N.R.I. (Neumann-Film, 1923): The Silence of Jesus in the Early German Cinema Reinhold Zwick 12. Leaves from Satan's Book (Nordisk, 1921) and Dreyer's Script Jesus of Nazareth (1950): The Jewishness of Jesus Caroline Vander Stichele 13. The King of King's (DeMille Pictures, 1927): The Body and the Word on Film Vivienne Westbrook Final Reflections David J. Shepherd
Introduction David J. Shepherd 1. The Passion of the Christ: a form, a genre, a discourse André Gaudreault 2. La Vie et Passion de Jésus Christ (Pathé-Frères, 1902-1905): Tableau Variation in the Early Cinema Valentine Robert and Alain Boillat 3. La naissance, vie et passion du Christ (Gaumont, 1906): The Gospel According to Alice Guy David J. Shepherd 4. La Vie et Passion de Notre Seigneur Jésus Christ (Pathé-Frères, 1907): The Preservation and Transformation of Zecca's Passion Dwight H. Friesen 5. Sidney Olcott's From the Manger to the Cross (Kalem, 1912): Out of Egypt and Palestine W. Barnes Tatum 6. The Star of Bethlehem (Thanhouser, 1912): The Sacred Story from King Herod to the Crip Terry Lindvall 7. The Shadow of Nazareth (Venus Features/Warner Features, 1913): The Hermeneutics of an Unauthorized Adaptation Rhonda Burnette-Bletsch 8. La Vie et Passion de Notre Seigneur Jésus Christ (Pathé-Frères 1913/24): Pathé's Inclination to Tell and Maître's Instinct to Show Jo-Ann Brant 9. The Birth of a Nation (D.W. Griffith, 1915) and Intolerance (Triangle/Wark 1916): Griffith's Talismanic Jesus Richard Walsh 10. Christus (CINES, 1916): Italy's First Religious "Kolossal" by Antamoro and Salvatori Giuseppe Pucci 11. Der Galiläer (Express-Film, 1921) and I.N.R.I. (Neumann-Film, 1923): The Silence of Jesus in the Early German Cinema Reinhold Zwick 12. Leaves from Satan's Book (Nordisk, 1921) and Dreyer's Script Jesus of Nazareth (1950): The Jewishness of Jesus Caroline Vander Stichele 13. The King of King's (DeMille Pictures, 1927): The Body and the Word on Film Vivienne Westbrook Final Reflections David J. Shepherd
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