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An account of what it's like to be on tour with the London Symphony Orchestra, in 1912 and 2012. Based on newly discovered diaries, photos and a wealth of material from the LSO's archive, this tells the remarkable story of a groundbreaking orchestra. There are also vivid descriptions of working with Haitink, Gergiev and Sir Colin Davis, amongst others.
A memoir of the London Symphony Orchestra on tour in the U.S. and beyond, focusing on their historical first visit to America in 1912 when they were due to sail on the Titanic, and their most recent travels Gareth Davies, principal flautist at the London Symphont Orchestra (LSO), tells the remarkable story of a groundbreaking expedition with the use of recently discovered diaries, archive material from London and New York, and newspaper reports from the time. A behind-the-scenes account of the LSO's current worldwide touring schedule finds that a surprising number of the same challenges remain. Readers join Gareth and his colleagues as they contend with airports, volcanoes, travel strikes, illness, and even life-and-death situations. As well as vivid descriptions of sitting center stage surrounded by music and working with Haitink, Gergiev, and Sir Colin Davis, readers get to glimpse into the backstage goings on and see inside the mind of a professional musician as never before. Written by someone at the center of the action, this book follows the travels of two musicians, a century apart in the same orchestra.
A memoir of the London Symphony Orchestra on tour in the U.S. and beyond, focusing on their historical first visit to America in 1912 when they were due to sail on the Titanic, and their most recent travels Gareth Davies, principal flautist at the London Symphont Orchestra (LSO), tells the remarkable story of a groundbreaking expedition with the use of recently discovered diaries, archive material from London and New York, and newspaper reports from the time. A behind-the-scenes account of the LSO's current worldwide touring schedule finds that a surprising number of the same challenges remain. Readers join Gareth and his colleagues as they contend with airports, volcanoes, travel strikes, illness, and even life-and-death situations. As well as vivid descriptions of sitting center stage surrounded by music and working with Haitink, Gergiev, and Sir Colin Davis, readers get to glimpse into the backstage goings on and see inside the mind of a professional musician as never before. Written by someone at the center of the action, this book follows the travels of two musicians, a century apart in the same orchestra.