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As labyrinthine as its namesake, Dorothea Laskyâ¿s The Shining is an ekphrastic horror lyric that shapes an entirely unique feminist psychological landscape. Here, Lasky guides us through the familiar rooms of the Overlook Hotel, both realized and imagined, inhabiting characters and spaces that have been somewhat flattened in Stephen Kingâ¿s text or Stanley Kubrickâ¿s film adaptations. Ultimately, Laskyâ¿s poems point us to the ways in which language is always hauntedâ¿by past selves, poetic ancestors, and paradoxical histories. 

Produktbeschreibung
As labyrinthine as its namesake, Dorothea Laskyâ¿s The Shining is an ekphrastic horror lyric that shapes an entirely unique feminist psychological landscape. Here, Lasky guides us through the familiar rooms of the Overlook Hotel, both realized and imagined, inhabiting characters and spaces that have been somewhat flattened in Stephen Kingâ¿s text or Stanley Kubrickâ¿s film adaptations. Ultimately, Laskyâ¿s poems point us to the ways in which language is always hauntedâ¿by past selves, poetic ancestors, and paradoxical histories. 
Autorenporträt
Dorothea Lasky is the author, most recently, of Animal, published in 2019 in the Bagley Wright Lecture Series. She is also the author of five full-length collections of poetry Milk (Wave Books, 2018), Rome  (Liveright/W.W. Norton, 2014), Thunderbird (Wave Books, 2012), Black Life  (Wave Books, 2010), and AWE (Wave Books, 2007). She is also the author of six chapbooks: Matter: A Picturebook (Argos Books, 2012), The Blue Teratorn (Yes Yes Books, 2012), Poetry is Not a Project (Ugly Duckling Presse, 2010), Tourmaline (Transmission Press, 2008), The Hatmaker’s Wife  (2006), Art ( H_NGM_N Press, 2005), and Alphabets and Portraits  (Anchorite Press, 2004).Currently, she is an Associate Professor of Poetry at Columbia University's School of the Arts and lives in New York City.