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This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon.

Produktbeschreibung
This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon.
Autorenporträt
ROBERT SHAUGHNESSY is Reader in Drama at the University of Surrey, Roehampton. He has published widely in the fields of Shakespeare, Renaissance drama and contemporary theatre; his books include Representing Shakespeare: England, History and the RSC, Shakespeare on Film, and Shakespeare in Performance.
Rezensionen
'...makes a significant contribution to the literature on the difficult task of theorizing Shakespeare on stage.' - J.Schlueter, Choice